Isabel Colegate Orden de los libros (cronológico)

Anthony Lane is dead, a casualty of the Korean War, and at home in England he is praised a hero. But Baldwin Reeves, who served with him, knows the truth: Lane, a traitor and a coward, was executed ignominiously by his own men. Envious of the wealth and social position Lane possessed, Reeves decides to put his knowledge to good use by blackmailing his widow Judith. Anxious to prevent a scandal and protect Lane's elderly mother from the disclosure of his disgrace, Judith seems to be wholly into Reeves's power. But when the blackmailer finds himself falling in love with his victim, the balance of power shifts, and the stage is set for an ironic and surprising conclusion. Darkly humorous, with a wonderfully offbeat cast of characters and featuring the distinguished style for which she is known, The Blackmailer (1958) was the first novel by Isabel Colegate, author of the modern classic The Shooting Party. This edition, the first in 30 years, includes a new foreword by the author.

"Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of Fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife, and a seat in Parliament. But the advent of war brings with it Orlando's downfall; and his daughter Agatha, cloistered with him in his banishment, is left to pick through the rubble of his smoking, ruined legacy. Elegant and muscular, powerful and razor-sharp, Orlando King is a bildungsroman, Greek tragedy and political saga all in one; a glittering exorcism of the inter-war generation's demons to rival the work of Evelyn Waugh and Muriel Spark."--Provided by publisher

'Just the right mixture of doomed fun, melancholy and faintly lascivious despair' Observer'I am afraid I have something to tell you. It is that we are all about to be destroyed.'1914. The old standards are going. There is bitterness in politics, talk of civil war in Ireland.But all this means little to Cynthia Weston, attractive wife of cabinet member Aylmer Weston, and her nephew by marriage Philip. They are caught up in the charmed, perilous toils of a mutual passion that will destroy all they hold most dear – while the shadow of war lengthens and darkens, ready to swallow their world whole.A captivating portrait of a lost world, Statues in a Garden is a rediscovered masterpiece by one of the most important and neglected British female writers of the twentieth and twenty-first centuries.

It is the autumn of 1913. Sir Randolph Nettleby has assembled a brilliant array of guests at his Oxfordshire estate for the biggest hunt of the season. An army of gamekeepers, beaters, and servants has rehearsed the intricate age-old ritual; the gentlemen are falling into the prescribed mode of fellowship and sporting rivalry, the ladies intrigued by the latest gossip and fashion. Everything about this splendid weekend would seem a perfect consummation of the pleasures afforded the privileged in Edwardian England. And yet it is not: the moral and social code of this group is not so secure as it appears. Competition beyond the bounds of sportsmanship, revulsion at the slaughter of the animals, anger at the inequities of class--these forces are about to rise up and engulf the assured social peace, a peace that can last only a brief while longer. In imagining Sir Randolph's shooting party, wrote The Spectator, "Miss Colegate has found a perfect metaphor for the passing of a way of life."