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Rebecca Rowland

    Rebecca Rowland es una autora de ficción oscura transgresiva con un enfoque en el terror. También trabaja como bibliotecaria, escritora fantasma y editora de terror. A pesar de una fascinación por el océano y un marcado disgusto por el clima helado, ha encontrado un hogar en una ciudad fría y sin salida al mar de Nueva Inglaterra, un contraste que informa sutilmente sus escalofriantes narrativas.

    White Trash and Recycled Nightmares
    Shagging the Boss
    • Shagging the Boss

      • 82 páginas
      • 3 horas de lectura

      "Lesson number don't get attached to anyone. Being a cannibal is the only way to truly succeed in this business." He placed one hand on the door handle, then thought a moment and smiled to himself. "The problem is, once you take a bite, it will never be enough."After a fortuitous encounter at a local book convention, a liberal arts graduate accepts a position at a flashy publishing company under the tutelage of its charismatic owner only to learn that the press is led, and fed, by a literal boogeyman.

      Shagging the Boss
    • A workaholic splits his time between home and hotel rooms until an anonymous cryptic message arrives, setting off a wrinkle in the time continuum and slowly shredding his sanity. Elsewhere, a woman's jealousy over her spouse's connection with their only child boils over, leading her to see monsters everywhere except the mirror. University fraternity brothers discover that a cruel prank has dire consequences but the full extent of their punishment is yet to come, while an intrepid hiker explores an abandoned Cold War facility hidden within a Massachusetts mountain only to realize that military secrets aren't the only things buried within. From witches, wendigos, and werecats to sirens, sadists, and serial killers, Rebecca Rowland serves readers a twenty-tale meal of cosmic, creature, and quiet horror in platters heaping with unsettling trepidation. In Rowland's long-awaited follow-up to The Horrors Hiding in Plain Sight, a lighted room provides no safe haven, and in the darkest corner of the basement waits a ravenous dread. The most sinister objects of fear are never truly discarded...just repurposed.

      White Trash and Recycled Nightmares