Céline Arnauld's journey through the Paris Dada movement reveals her struggle for recognition amidst personal turmoil and financial instability. Born Carolina Goldstein in Romania, the Jewish émigré created a significant yet underappreciated body of innovative poetry. Ruth Hemus explores Arnauld's quest for an independent voice in avant-garde literature from 1918 to 1948, highlighting her experimental works and the challenges she faced. This study celebrates the rediscovery of a pioneering yet overlooked figure in literary history.
Ruth Hemus Libros


The poet Céline Arnauld (1885-1952) was at the heart of Paris Dada. Her experimental texts appeared in the most prominent avant-garde journals and she published almost a dozen books. Yet Arnauld predicted as early as 1924 that she would be written out of history. Isolated by personal loss and financially insecure, she took her own life in 1952. Her story is one of an individual with an elusive identity - she was a Jewish émigré, born Carolina Goldstein in Romania - who left behind a body of work rich in innovation. In this study, Ruth Hemus conveys the pleasure of discovering this neglected figure and her inventive writing. Charting one woman's navigation of the avant-garde over a thirty-year period (1918-1948), she sets out Arnauld's quest for an autonomous poetry that she herself called 'ultra-modern.' Ruth Hemus is a Reader in French and Visual Arts at Royal Holloway, University of London.