Bridget Liang es un autor cuya obra explora profundamente las intersecciones de identidad y estructuras sociales. Su estilo de escritura a menudo está informado por sus experiencias como persona queer, transfeminina y neurodiversa, lo que se manifiesta en temas que examinan los límites y las complejidades de la existencia humana. A través de la investigación basada en las artes y la ficción, Liang contribuye a las discusiones sobre interseccionalidad, creando espacio para voces marginadas. Su escritura desafía a los lectores a considerar las dinámicas de poder y a abrazar la diversidad.
The first book to foreground the voices and experiences of autistic trans people, this collection of interviews explores questions of identity and gender from a neurodiverse perspective and examines how this impacts family, work, healthcare and religion.
Logan Osborne knows he likes boys, but has not come out to his family or at school, and no one knows that he likes to sometimes wear girls' clothes and makeup. When he starts at a school for the arts he finds a wider range of gender and orientation being accepted. Logan is attracted to Kyle, who has gay dads. But Kyle is straight. Logan finds he doesn't like the way gay boys treat him, and a disturbing hookup with a boy who is fetishistic about Logan's half-Asian background makes Logan even more confused about what he wants and who he is. Encouraged and supported by his friends at school, Logan experiments with nail polish and more feminine clothes in public. Logan begins questioning his gender and decides to use they pronouns while trying to figure things out. Logan meets a classmate's chosen mother, who is a transgender Chinese woman, and begins to come to terms with their gender identity. Realizing they are not a gay boy, but a transgender girl, Logan asks for people to call them Veronica. As a girl, does Veronica stand a chance with Kyle?