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Paul M. Levitt

    Este autor profundiza en los aspectos más oscuros de la naturaleza humana, centrándose a menudo en el mundo del crimen y su impacto en la sociedad. Sus obras se caracterizan por exploraciones perspicaces de la psicología de los personajes y narrativas cautivadoras que sumergen al lector en un mundo de intriga y ambigüedad moral. Su experiencia académica le proporciona una perspectiva única para examinar motivaciones y consecuencias.

    Death at the Dacha
    • Death at the Dacha

      • 224 páginas
      • 8 horas de lectura

      As Stalin lies dying, this novel records his last thoughts, which he renders as a movie about the people he believes envenomed his life, namely, Lenin and certain women. (A film devotee, Stalin so loved movies that some scholars have even suggested that he governed the Soviet empire by cinematocracy, rule by cinema.) He has suffered a stroke but will linger for three days before dying. As in a film, he revisits scenes and old arguments with Lenin, and then endures a trial over his charge that women have poisoned his life. At the conclusion of the trial, Stalin's mind screen returns to V.I. Lenin. What follows then is Stalin's concluding mockery and denunciation of Lenin; Lenin's final assessment of Stalin; and the end of the novel: Stalin's dying words.

      Death at the Dacha