James Roose-Evans es un distinguido director de teatro y autor cuyo trabajo está profundamente arraigado en la exploración y la innovación de las formas teatrales. Su carrera se ha caracterizado por el establecimiento de espacios teatrales influyentes y talleres experimentales, lo que demuestra un profundo compromiso con la ampliación de los límites artísticos. A través de sus escritos y dirección, profundiza en la esencia del teatro y su potencial evolutivo.
Finding Silence has grown out of a meditation group which James Roose-Evans
leads in London, which encompasses people of very different beliefs. The
meditations - one for each week of the year - have something to inspire
everyone - whether religious, agnostic or atheist.
Opening Doors and Windows is a fresh and absorbing story of a continuous
search for answers, a constantly colourful, entertaining and moving account of
a many-sided life and what the author stands for. It will captivate and
interest readers from all walks of life; and, above all, it will inspire them.
This wonderful show is a dramatization of business letters between a young struggling writer in New York and an antiquarian book store in London. In a sense, these are also love letters. They are about the love of good literature. The play takes place over a twenty year period, beginning in 1949 when Helene Hanff (played on Broadway by Ellen Burstyn) first writes Marks & Co. and ends in 1969 with the death of Frank Doel, the delightfully dusty supplier of so many old volumes to Helen who has shown her gratitude through the years by sending "care packages" to the staff of Marks & Co.
At all times wonderfully evocative and poignant, Cider With Rosie is a charming memoir of Laurie Lee's childhood in a remote Cotswold village, a world that is tangibly real and yet reminiscent of a now distant past.In this idyllic pastoral setting, unencumbered by the callous father who so quickly abandoned his family responsibilities, Laurie's adoring mother becomes the centre of his world as she struggles to raise a growing family against the backdrop of the Great War.The sophisticated adult author's retrospective commentary on events is endearingly juxtaposed with that of the innocent, spotty youth, permanently prone to tears and self-absorption.Rosie's identity from the novel Cider with Rosie was kept secret for 25 years. She was Rose Buckland, Lee's cousin by marriage.
"As a boy of nine or ten I used to sit in the window seat on the first floor landing of my grandfather's house in the Forest of Dean, and gaze at the Black Mountains in the distance. They weren't always black, but mostly as mauve and blue as Housman's 'blue remembered hills'. Beyond them lay another country called Wales, which for me was as wrapped in mystery as the mountains often were in mist. It was a land where people spoke a different language, played harps and, so I was told, sang like angels! Little did I know that one day I would have a home there ..." And little did James Roose-Evans know that in moving to Wales he was also setting out on a different kind of journey altogether - a spiritual adventure into the unknown. For more than fifty years James has kept a journal. Here he draws on his Welsh diaries to evoke a sense of the timeless and magical world of Radnorshire: the landscape, its people and a quality of life in the Welsh Borders which still to this day attracts so many writers, artists, musicians, sculptors and seekers.
James Roose-Evans explores the roots of avant-garde theatre, highlighting influential figures like Stanislavsky, Brecht, and Grotowski. His insights into their contributions reveal the evolution of innovative directing in Britain.