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J. Hoberman

    J. Hoberman es un distinguido crítico de cine y autor cuya obra profundiza en las artes cinematográficas. Su escritura explora frecuentemente las técnicas estilísticas y las capas semánticas de las películas, ofreciendo análisis perspicaces que van más allá de la observación superficial. A través de sus extensos escritos, invita a los lectores a reevaluar su relación con los medios visuales. Su contribución literaria reside en su capacidad para desenterrar significados ocultos y resonancias culturales dentro del arte cinematográfico.

    Duck Soup
    Love and Hisses
    The Magic Hour: Film at Fin de Siecle
    Film After Film
    • The Magic Hour: Film at Fin de Siecle

      • 272 páginas
      • 10 horas de lectura

      Focusing on the transformative "magic hour" of film, this anthology compiles the author's insightful movie reviews, cultural critiques, and political essays from a pivotal era marked by significant historical events, including the fall of the Berlin Wall and the collapse of the Trade Towers. Through a lens of cinematic and social exploration, the collection reflects on the interplay between art and culture during times of change, offering readers a rich tapestry of thought-provoking commentary.

      The Magic Hour: Film at Fin de Siecle
    • Love and Hisses

      The National Society of Film Critics Sound Off on the Hottest Movie Controversies

      • 560 páginas
      • 20 horas de lectura

      A collection of essays on the most hotly debated films features discussions on Spike Lee, Oliver Stone, the ratings war, and the war of the sexes by such critics as Pauline Kael, Roger Ebert, and Terrence Rafferty. Original.

      Love and Hisses
    • A study of the Marx Brothers' classic 1933 Hollywood comedy Duck Soup in the BFI Film Classics series.

      Duck Soup