Kristen Richardson examina los matices de las tradiciones y expectativas sociales con una mirada aguda, a menudo irónica. Su escritura, que obtuvo reconocimiento temprano a través de ensayos para Rookie, ofrece comentarios perspicaces sobre fenómenos sociales contemporáneos. Richardson explora cómo los individuos navegan por estructuras complejas y forjan sus identidades dentro de ellas. Su estilo es incisivo y reflexivo, invitando a los lectores a una contemplación más profunda de las normas sociales y la agencia personal.
In this enthralling history of the debutante ritual, Richardson sheds new light on contemporary ideas about women and marriage. While Richardson came from a family of debutantes, she chose not to debut. But as her curiosity drove her to research this enduring custom, she learned that it, and debutantes, are not as simple as they seem.
". . . A revealing story of women across six centuries, their limited options, and their desires. Digging into the roots of the debutante ritual, with its ballrooms and white dresses, [the author]- herself descended from a line of debutantes- was fascinated to discover that the debutante ritual places our contemporary ideas about women and marriage in a new light. In this history of the phenomenon, [the author] shares debutantes' own words-from diaries, letters, and interviews-throughout her vivid telling, beginning in Henry VIII's era, sweeping through Queen Elizabeth I's court, crossing back and forth the Atlantic to colonial Philadelphia, African American communities, Jane Austen's England, and Mrs. Astor's parties, ultimately arriving at the contemporary New York Infirmary and International balls. Whether maligned for its archaic attitude and objectification of women or praised for raising money for charities and providing a necessary coming-of-age ritual, the debutante tradition has more to tell us"--Adapted from publisher description