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Kim Soom

    La obra de Kim Soom profundiza en los dilemas existenciales de la vida moderna, a menudo a través de la perspectiva de personajes femeninos resilientes. Su escritura se caracteriza por una aguda perspicacia psicológica y un lenguaje preciso que revela las complejidades de las relaciones humanas y los mundos interiores. Las narrativas de la autora frecuentemente resuenan con temas de soledad, la búsqueda de la identidad y las presiones de las expectativas sociales. A través de su prolífica producción, Kim Soom se ha establecido como una voz importante en la literatura coreana contemporánea.

    일본군 '위안부' 길원옥 증언집: 군인이 천사가 되기를 바란 적 있는가
    Divorce
    One Left
    • One Left

      • 224 páginas
      • 8 horas de lectura

      "An estimated 200,000 Korean girls were forced into sexual servitude for the Japanese military forces during World War II, and only 20,000 of these women are thought to have survived and made it back to Korea after the war. Two hundred and thirty-eight self-declared comfort women have come forward to make their background public, and as of October 2017, only 37 among these women were still alive; their average age was 91. One Left, published in Korea in 2016, is the first Korean novel devoted exclusively to the subject of comfort women. The book tells the story of a woman from the day she was taken from her home village by the Japanese and forced into a life as a sex slave at a "comfort station" in Manchuria. Finding her way back to Korea after the war, she hides her past even from close family members, her feelings constantly colored by shame and nightmares. She never publicly reveals her past, but as the last self-reported comfort woman lies on her deathbed, the protagonist is driven to meet this woman and tell her that there will still be "one left" after her passing. The novel is well-grounded and thoroughly researched, and it includes over 300 endnotes crediting the sources of many of the details mentioned by the protagonist as she recounts her memories of the comfort station in Manchuria"--

      One Left
    • A poet reflects on the lives of the different generations of women around her as she contemplates her own divorce from a socially-engaged photographer; her feelings are complicated by the ethics of public/private, art/life divisions, as well as the country's contemporary history. The story reveals the raw complexity of gender dynamics in a society still hobbled by the demands forced on its people through war and ideology and rapid modernization; it is a good reminder of the different feminisms that do and must exist.

      Divorce