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Kyle Gann

    21 de noviembre de 1955

    Kyle Gann es un compositor y ex crítico de música nueva para The Village Voice. Gann se enfoca en la música que explora nuevas posibilidades sonoras y amplía los límites de la forma musical. Su obra a menudo se nutre del minimalismo, pero también de otros géneros y enfoques poco convencionales. A través de su trabajo tanto compositivo como crítico, se esfuerza por una comprensión y apreciación más profundas del panorama musical moderno.

    The Ashgate Research Companion to Minimalist and Postminimalist Music
    Robert Ashley
    The Music of Conlon Nancarrow
    No Such Thing as Silence
    • No Such Thing as Silence

      • 272 páginas
      • 10 horas de lectura

      First performed at the midpoint of the twentieth century, John Cage's 4'33, a composition conceived of without a single musical note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. This title offers the reader both an expert's analysis and highly personal interpretation of Cage's most divisive work.

      No Such Thing as Silence
    • The Music of Conlon Nancarrow

      • 316 páginas
      • 12 horas de lectura

      Conlon Nancarrow, an innovative American composer, is celebrated for his rhythmically complex music primarily composed for player piano. His work features intricate contrapuntal systems with multiple tempos, drawing inspiration from jazz and Indian music. Despite being created in isolation since 1940, Nancarrow's compositions gained international recognition only recently. The author explores sixty-five of Nancarrow's works and provides a biographical chapter with previously unpublished details, offering insight into the life of this groundbreaking artist who fled to Mexico City.

      The Music of Conlon Nancarrow
    • Focusing on the evolution of minimalist music, this Companion offers an in-depth analysis of its development through various generations of composers. It emphasizes the pioneering contributions of early minimalists and explores the unique characteristics of their successors. The book serves as a comprehensive resource for understanding the significant research and discussions surrounding minimalist music, making it essential for scholars and enthusiasts alike.

      The Ashgate Research Companion to Minimalist and Postminimalist Music