The Release uniquely blends diary entries with poetry, creating an interactive dialogue between the two forms. The diary captures experiences that inspire the poems, while the poems reveal their origins in the prose. This innovative structure allows for a deeper exploration of the relationship between personal reflection and artistic expression.
The poems reflect an autobiographical journey, rooted in the landscapes of southern England, particularly between the New Forest and the Solent. They explore the essence of place and the development of a poet, blending raw experiences with a broader understanding of existence. Hooker emphasizes 'quickness,' aiming for a deeper connection to the living reality of being rather than mere self-expression, showcasing the interplay between personal history and the environment.
Focusing on the act of attentive reading, the essays delve into the works of often-overlooked poets and visual artists, including David Jones and Welsh women poets. Hooker emphasizes the significance of localism and clarity in art, drawing connections between landscape and the creative vision of these artists. His critique not only illuminates their contributions but also reflects on his own poetic journey, creating a blend of aesthetic analysis and personal narrative. The overarching goal is to awaken a deeper awareness of artistic expression beyond mainstream trends.
This volume draws on over 50 years of poetry written by a poet whose work stands a little askew to the dominant modes in Britain, and a poet with a decided admiration for the work of both George Oppen and David Jones. Jeremy Hooker is a poet with a powerful sense of place, whose joy in landscape and his surroundings shines through his body of work.