First presented as miraculously rediscovered Greek erotic poetry, the Songs of Bilitis were infact the work of French author Pierre Louÿs - nevertheless, they were acclaimed for their sensual style and beauty. The frank depictions of lesbianism in the context of classical Greece were a marriage of two trends popular in late 19th century France. Homosexuality in literature was a novel subject hitherto considered tantalizing and taboo, while the artistic and aesthetic culture of antiquity received homage from several realms of creativity. Louÿs offers a frank presentation of a lesbian couple in Greece, embarking on a journey of sexual discovery and enjoyment tempered by the traumatic experiences of Bilitis. Through her sexuality, Bilitis is shown to mature emotionally, her lesbianism proving a catalyst for physical and mental change. The transience of love and sexual experience, the wisdom gained from her indulgence, and the emotive depth of passion, longing and eventual estrangement construct the essence of Louÿs' personal, expressive growth. Popular with audiences and the lesbian community for decades, this 1926 English edition of the Songs of Bilitis contains 30 illustrations by Willy Pogany.
Lou& Libros


The Young Girl's Handbook of Good Manners for Use in Educational Establishments
- 76 páginas
- 3 horas de lectura
A bestselling author in his time, Pierre Louÿs (1870-1925) was a friend of, and influence on, André Gide, Paul Valéry, Oscar Wilde and Stephane Mallarmé among others. He achieved instant notoriety with Aphrodite and The Songs of Bilitis, but it was only after his death that Louÿs' true legacy was to be discovered: nearly 900 pounds of erotic manuscripts were found in his home, all of them immediately scattered among collectors and many subsequently lost. Since then, it has become clear that Louÿs is the greatest French writer of erotica there ever was. The Young Girl's Handbook of Good Manners was the first of his erotic manuscripts to see publication, and it also remains his most outrageous--an erotic classic in which humor takes precedence over arousal. By means of shockingly filthy advice--ostensibly offered "for use in educational establishments"--couched in a hilariously parodic admonitory tone, Louÿs turns late-nineteenth-century manners roundly on their head, with ass prominently skyward. Whether offering rules for etiquette in church, school or home, or outlining a girl's duties toward family, neighbor or God, Louÿs manages to mock every institution and leave no taboo unsullied. The Young Girl's Handbook of Good Manners has only grown more scandalous and subversive since its first appearance in 1926.