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Maria Dermoût

    Helena Dermoût dejó su huella con una obra literaria que profundizó en las complejidades de la psique humana y las relaciones. Su escritura se caracteriza por un lenguaje poético y una profunda visión sobre temas como la memoria, la pérdida y la búsqueda de identidad. Dermoût creó magistralmente escenarios evocadores y personajes que resuenan en los lectores mucho después de la última página. Su voz distintiva y su perspicaz exploración de la condición humana la establecen como una figura literaria memorable.

    Die Sirenen
    Yesterday, a Novel
    The Ten Thousand Things
    • In Wild , Cheryl Strayed writes of The Ten Thousand Things : "Each of Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” And it's true, The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.

      The Ten Thousand Things