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Eve Kosofsky Sedgwick

    2 de mayo de 1950 – 12 de abril de 2009

    Eve Kosofsky Sedgwick fue una académica estadounidense especializada en crítica literaria y análisis feminista, reconocida como una de las arquitectas de la teoría queer. Sus obras reflejan un interés en la performatividad queer, la escritura crítica experimental, el psicoanálisis no lacaniano, el budismo y la pedagogía, las teorías afectivas de Silvan Tomkins y Melanie Klein, y la cultura material, especialmente textiles y texturas. Basándose en la erudición feminista y la obra de Michel Foucault, Sedgwick desveló supuestas subtramas homoeróticas ocultas en escritores como Charles Dickens, Henry James y Marcel Proust. Sedgwick argumentó que la comprensión de prácticamente cualquier aspecto de la cultura occidental moderna sería incompleta o dañada si no incorporara un análisis crítico de la definición moderna homo/heterosexual, acuñando los términos "antihomofóbico" y "homosocial".

    Between Men
    Epistemology of the Closet, Updated with a New Preface
    Touching Feeling
    A Dialogue On Love
    The Weather in Proust
    Tendencies
    • Tendencies brings together for the first time the essays that have made Eve Kosofsky Sedgwick "the soft-spoken queen of gay studies" (Rolling Stone). Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing.The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.

      Tendencies
    • At the time of her death in after a long battle with cancer, Eve Sedgwick had been working on a book on affect and Proust, and on the psychoanalyst Melanie Klein. This volume, edited by Jonathan Goldberg, brings together a collection of her last work.

      The Weather in Proust
    • When she begins therapy for depression after breast cancer treatment, the author brings with her an extraordinarily open and critical mind, but also shyness about revealing herself. Resisting easy responses to issues of dependence, desire, and mortality, she warily commits to a male therapist who shares little of her cultural and intellectual world.Although not without pain, their improvised relationship is as unexpectedly pleasurable as her writing is unconventional: Sedgwick combines dialogue, verse, and even her therapist's notes to explore her interior life--and delivers a delicate and tender account of how we arrive at love.

      A Dialogue On Love
    • Brings together the author's explorations of emotion and expression. This work also offers tools and techniques for nondualistic thought, and in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian hermeneutics of suspicion.

      Touching Feeling
    • Exploring the intersection of sexuality and identity, the book delves into how sexual orientation emerged as a crucial aspect of personhood, paralleling the historical significance of gender. Through analyses of influential literary figures such as Melville, James, and Wilde, it reflects on a transformative period in American culture. In her updated preface, Sedgwick contextualizes her work within the personal and collective trauma of the AIDS epidemic, highlighting its profound impact on queer studies and theory since the late 1980s.

      Epistemology of the Closet, Updated with a New Preface
    • Examines men's relationships with one another in English literature and the ways those relationships affect women. Central to this study is Sedgwick's conception of male homosocial desire. She argues that the power of male homophobia has radically shaped the ideologies of men and women.

      Between Men