Introduction Chapter 1: How Many Lives . . . Within This One?: The Performances of Sam Shepard Chapter 2: What's Beyond Authentic?: Authenticity and Artistry in Don't Come Knocking and Kicking a Dead Horse Chapter 3: One of Us Has Forgotten: Memory and Trauma in Simpatico, The Late Henry Moss and When the World was Green Chapter 4: I Miss the Cold War So Much: Interrogating Masculine and Conservative Narratives in States of Shock and The God of Hell Chapter 5: Surrounded by My Primitive Captors: Hybridity and Hegemony in Silent Tongue and Eyes for Consuela Chapter 6: Where's All the Men?: Men, Women and Homosociality in the Late Style of Sam Shepard Conclusion Endnotes Bibliography Index
