Andrei Pop Libros

A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period-the problem of subjectivity in particular.

The book explores Frege's distinctions between sense and reference, as well as concept and object, to provide a nuanced understanding of the relationship between fiction and art. It delves into case studies that apply Fregean principles to art history and theory, offering a fresh perspective on how these concepts intersect and influence artistic expression. Through this analysis, the author presents a compelling argument for the relevance of Frege's ideas in contemporary discussions about art and fiction.