On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she's now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse . . . C needs to put her medical debt and her sex life in order, but how to make concrete plans with this little visitor haunting her apartment, sporting a three-piece suit and delivering impromptu lectures on the vulnerability of the national grid? Moreover, what's all this computer code doing in the story of her life? And do the answers to all of C's questions lie with an eco-hacktivist cabal threatening to end modern life as we know it? The Visitors is mordantly funny as it follows a woman dealing with debt, lust and an unwelcome visitor in the last days of a broken status quo. It peers into How We Got Here and asks What We Do Next, whatever our personal hallucinations may be.
Jessi Jezewska Stevens Libros




Welcome to the darkest timeline . . . the UK debut of one of America's most gifted young writers is a chilling fable about love in an age when even our darkest desires (not to mention our novels) have become vulnerable to malware.
"Percy is pregnant. She hasn't told a soul. Probably she should tell her husband - certainly she means to - but one night she wakes up to find she no longer recognizes him. Now, instead of sleeping, Percy is spending her nights taking walks through her neighborhood, all the while fretting over her marriage, her impending motherhood, and the sinister ways the city is changing. Amid this alienation - from her husband, home, and rapidly changing body - a package arrives. In it: an exhibition catalog for a photography show. The photographs consist of a series of digitally manipulated images of a woman lying on a bed in a red room. It takes a moment for even Percy to notice that the woman is herself . . . but no one else sees the resemblance. Percy must now come to grips with the fundamental question of identity in the digital age: To what extent do we own our own image, and to what extent is that image shaped by the eyes of others?"--Publisher description
Collected after publication in the best magazines, Stevens's stories spy big ethical and historical questions in comic, shambolically human situations