Christopher Sharrett es un autor y editor cuyo trabajo se centra en el análisis de obras cinematográficas y su impacto social. Su trabajo editorial en Crisis Cinema explora temas apocalípticos en creaciones cinematográficas posmodernas. El enfoque académico de Sharrett sobre el cine enfatiza el pensamiento crítico y una comprensión más profunda de las estructuras narrativas y sus contextos culturales.
Examines the innovations of Breaking Bad through a study of its main character, using psychoanalysis, genre study, gender studies, American studies, and the graphic arts to assist an exploration of the supreme danger of modern, postindustrial toxic masculinity embodied in Walter White.
Set in 1880s New Mexico, this TV western explores the life of a single father raising his son, challenging traditional genre conventions. It juxtaposes themes of domesticity and reason with the prevalent gun violence associated with the settling of the West. The series features early contributions from notable figures like Sam Peckinpah and was produced by a pioneering team, showcasing the creative talent of its time. The Rifleman stands out for its intelligent storytelling and complex portrayal of American ideals.