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Céline Sun

    Die Freiheitskonzeption David Humes in seinem Werk "Eine Untersuchung über den menschlichen Verstand" (1748)
    Das Christentum. Religion der Zweifaltigkeit?
    The Role of Irony in Literature. A Joint Interpretation of Wallace's "Brief Interviews with Hideous Men" and Flaubert's "Madame Bovary"
    Is Marriage Christian?
    The Significance of Limits. The Parallels between Dostoyevsky's "Crime and Punishment" and Shelley's "Frankenstein"
    Are Eros and Agape fundamentally different kinds of love?
    • The paper explores the theological distinctions and relationships between Eros and Agape, two forms of love, within Christianity. It examines historical interpretations by theologians regarding their conceptual primacy and how they coexist. Key questions include how to balance the prevalence of these loves and how to mediate their differences in the context of divine and human encounters. The work reflects on the complexities of love in theological discourse and the implications for understanding God's nature and human experience.

      Are Eros and Agape fundamentally different kinds of love?
    • Transgression of limits is explored in the novels of Dostoyevsky and Shelley, where characters grapple with feelings of entrapment and the desire to break free. Their attempts reveal deeper limitations, illustrating the struggle of consciousness against its own finitude. The narratives highlight the conflict between self-assertion and the constraints of reality, ultimately leading to the insight that true liberation comes from connecting with a genuine other. This connection offers meaning and value to both the embodied world and individual consciousness.

      The Significance of Limits. The Parallels between Dostoyevsky's "Crime and Punishment" and Shelley's "Frankenstein"
    • The essay presents a compelling argument for the Christian understanding of marriage as a sacrament, countering the traditional view that often elevates celibacy. It explores how marriage can be viewed positively within the Christian tradition, despite historical dismissals. By emphasizing the unique theological framework that supports the sanctity of marriage, the work seeks to reconcile the value of both marriage and celibacy in Christian life.

      Is Marriage Christian?
    • Exploring the relationship between self-perception and transcendent reality, this seminar paper connects existential themes in David Foster Wallace's work with Gustave Flaubert's "Madame Bovary." It argues that while the ironic nature of "Madame Bovary" seems to align with Wallace's critique of irony, Flaubert ultimately demonstrates a profound commitment to acknowledging a higher reality. The analysis delves into the similarities between the two authors' perspectives, highlighting the depth of Flaubert's exploration of existential issues despite his ironic approach.

      The Role of Irony in Literature. A Joint Interpretation of Wallace's "Brief Interviews with Hideous Men" and Flaubert's "Madame Bovary"
    • Das Christentum. Religion der Zweifaltigkeit?

      Zur Dimension der Dualität in Ludwig Feuerbachs Philosophiekritik im "Wesen des Christentums" (1841)

      Ludwig Feuerbachs Religionskritik wird oft als rein theologisch betrachtet, doch die vorliegende Studienarbeit zeigt, dass seine Intention weitreichender ist. Sie beleuchtet, dass Feuerbach nicht nur das Christentum und die christliche Theologie kritisiert, sondern auch den Idealismus. Das Werk positioniert sich am Ende einer langen Phase deutscher Philosophie, die vom Idealismus geprägt war und ihren Höhepunkt in Hegels spekulativer Philosophie fand. Diese vielschichtige Analyse eröffnet neue Perspektiven auf Feuerbachs Denken und dessen Bedeutung für die Philosophie des 19. Jahrhunderts.

      Das Christentum. Religion der Zweifaltigkeit?
    • Die Studienarbeit beleuchtet die philosophische Debatte über die menschliche Freiheit und deren Verhältnis zu Determinismus und Notwendigkeit, ein Thema, das durch moderne Neurowissenschaften an Relevanz gewonnen hat. Sie untersucht die Positionen des Inkompatibilismus und Kompatibilismus, wobei David Hume als zentraler Vertreter des klassischen Kompatibilismus hervorgehoben wird. Die Analyse fokussiert sich auf Humes Argumentation zur Freiheit, insbesondere im Kontext seines Werkes "Eine Untersuchung über den menschlichen Verstand" aus dem Jahr 1748.

      Die Freiheitskonzeption David Humes in seinem Werk "Eine Untersuchung über den menschlichen Verstand" (1748)