Cornell Woolrich es aclamado como el escritor preeminente del siglo XX en el género de la ficción de puro suspense. Sus narrativas se sumergen en las vidas oscuras y emocionalmente atormentadas de los personajes, creando magistralmente tensión y atmósfera. Tras encontrar inicialmente reconocimiento por novelas convencionales, Woolrich descubrió su voz característica en la ficción criminal, produciendo una obra prolífica a menudo publicada bajo diversos seudónimos. Su legado perdura a través de una donación establecida para apoyar a jóvenes escritores aspirantes.
Los relatos No quisiera estar en sus zapatos y Fue anoche ratifican a William Irish como precursor del suspense, ya que introdujo esta nueva vía en la novela negra, en la que exprime una atmósfera sobrecogedora apresando fatalmente a sus personajes. El universo del escritor desata los miedos atávicos, no sólo de los protagonistas de sus obras, sino en las almas de los lectores. Nada es superfluo ni gratuito.
Estos dos apasionantes relatos policíacos demuestran la maestría de Cornell Woolrich en el manejo del suspense y la intriga. En El ojo de cristal, un muchacho ingenioso y valiente sigue el rastro de un asesino, mientras que en Charlie saldrá esta noche un capitán de policía presiente que su propio hijo es un peligroso atracador.
Cornell Woolrich masterfully crafts suspenseful narratives where ordinary individuals confront extraordinary and terrifying situations. This collection features four of his most gripping novellas, showcasing his unparalleled talent for building tension and engaging readers in spine-chilling experiences. Each story promises to immerse readers in a world of fear and uncertainty, highlighting Woolrich's ability to transform the mundane into the macabre.
Cornell Woolrich's best novel, now in a stunningly designed new edition with new artwork and a new introduction.
What if you woke up to discover everyone thought you were somebody else? Pregnant and abandoned, all Helen Georgesson has is five dollars and a one-way ticket to San Francisco. Then she is involved in a train crash, and regains consciousness only to discover that she has given birth - and, in a bizarre twist of fate, has been mistaken for somebody else. Helen decides to claim this opportunity to make a new life for herself and her son. But eventually her past will catch up with her, in terrible ways...
A police detective seeks the rationale between seemingly-unrelated murders, connected only by the appearance of a beautiful woman each time When the wealthy ladies’ man fell from his balcony in the midst of his engagement party, the police dismissed the death as the result of a freak accident. There was nothing to connect it with the poisoning of a lonely man in his squalid apartment, or with the married business-man killed after him, sealed into a closet and left to suffocate. No connection, that is, aside from the appearance of a beautiful woman in each case, just before the victims met their untimely ends. Nobody knows her identity, where she comes from or whither she goes. Nor do they know why anyone would be targeting this series of seemingly-unrelated persons. But one police detective is convinced that the answers to these questions can save the lives of men who might be next on the list, men who will continue to die at a rapid rate unless he can solve the puzzle and intervene. Cornell Woolrich’s first crime novel, The Bride Wore Black is the stylish, tense thriller that launched the career of “the supreme master of suspense” (New York Times). It was filmed by Francois Truffaut under the same title, and went on to inspire Quentin Tarantino’s Kill Bill movies.
On a mild midwestern night in the early 1940s, Johnny Marr leans against a drugstore wall. He’s waiting for Dorothy, his fiancée, and tonight is the last night they’ll be meeting here, for it’s May 31st, and June 1st marks their wedding day. But she’s late, and Johnny soon learns of a horrible accident—an accident involving a group of drunken men, a low-flying charter plane, and an empty liquor bottle. In one short moment Johnny loses all that matters to him and his life is shattered. He vows to take from these men exactly what they took from him. After years of planning, Johnny begins his quest for revenge, and on May 31st of each year—always on May 31st—wives, lovers, and daughters are suddenly no longer safe.
"When Quinn first meets Bricky, she's working as a partner-for-hire at a dancehall and he's struggling to shake the anxiety of his guilty conscience. Earlier that day, the young man took advantage of a found key and used it to rob a stranger's home and now, with tthe purloined money in his pocket, Quinn is unable to escape the memory of his wrongdoing. When the club closes, he and Bricky--now linked by a budding romance--return to the scene of the crime intending to restore the stolen fortune, only to discover, upon arrival, that the owner of the property has been murdered. There's evidence present that links Quinn to the crime, and he expects that, as soon as day breaks and the authorities learn of the gruesome scene, he will be arrested straight away.Which mean that he and Bricky have only a few short hours to find the true killer and clear Quinn's name for good." -- Book jacket
From “the supreme master of suspense” comes the chilling chronicle of one man’s descent into madness. (New York Times) When New Orleans coffee merchant Louis Durand first meets his bride-to-be after a months-long courtship by mail, he’s shocked that she doesn’t match the photographs sent with her correspondence. But Durand has told his own fibs, concealing from her the details of his wealth, and so he mostly feels fortunate to find her so much more beautiful than expected. Soon after they marry, however, he becomes increasingly convinced that the woman in his life is not the same woman with whom he exchanged letters, a fact that becomes unavoidable when she suddenly disappears with his fortune. Alone, desperate, and inexplicably love-sick, Louis quickly descends into madness, obsessed with finding Julia and bringing her to justice — and simply with seeing her again. He engages the services of a private detective to do so, embarking on a search that spans the southeast of the country. When he finally tracks her down, the nightmare truly begins… A dark tale of the destructive power of love, Waltz into Darkness is a classic “femme fatale” narrative that shows “the father of the modern suspense story” (LA Times) at the top of his unsettling craft. It has been adapted for film twice, most notably serving as the basis for Francois Truffaut’s Mississippi Mermaid.
Novels by Doyle, Maugham, Charteris, MacDonald, Gardner, Woolrick, and Fleming deal with spies and secret agents in World Wars I and II and the cold war
