'Why is there so much inequality?' Xenia asks her father, the world famous economist Yanis Varoufakis. Drawing on memories of her childhood and a variety of well-known tales - from Oedipus and Faust to Frankenstein and The Matrix - Varoufakis explains everything you need to know in order to understand why economics is the most important drama of our times. In answering his daughter's deceptively simple questions, Varoufakis disentangles our troubling world with remarkable clarity, while inspiring us to make it a better one.
Velký záliv, novela amerického básníka a etnobotanika Dalea Pendella, je dystopickým, a přesto optimistickým pohledem na svět po zhroucení civilizace, tak jak ji dnes známe. Poté co dojde ropa, lidstvo zdecimují epidemie a potopy a nastane oteplení prostřídané novými dobami ledovými, poté co vymře většina světové populace, musí nečetní přeživší napnout veškeré síly k přežití a pod nánosy trosek vyhledávat pohřbené zbytky vědomostí. Ke slovu se dostanou hluboko ve vědomí zasuté pradávné mýty, šamanská moudrost a léčitelství přírodních národů. Jaký osud bude mít nešťastné lidstvo? Dojde k vytvoření civilizace podobné té naší, nebo vznikne něco úplně nového, neméně vzrušivé, ba lepší uspořádání?
A lively history of the Surrealists, both known and unknown, by one of the last surviving members of the movement—artist and bestselling author Desmond Morris. Surrealism did not begin as an art movement but as a philosophical strategy, a way of life, and a rebellion against the establishment that gave rise to the World War I. In The Lives of the Surrealists, surrealist artist and celebrated writer Desmond Morris concentrates on the artists as people—as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Unlike the impressionists or the cubists, the surrealists did not obey a fixed visual code, but rather the rules of surrealist philosophy: work from the unconscious, letting your darkest, most irrational thoughts well up and shape your art. An artist himself, and contemporary of the later surrealists, Morris illuminates the considerable variation in each artist’s approach to this technique. While some were out-and-out surrealists in all they did, others lived more orthodox lives and only became surrealists at the easel or in the studio. Focusing on the thirty-two artists most closely associated with the surrealist movement, Morris lends context to their life histories with narratives of their idiosyncrasies and their often complex love lives, alongside photos of the artists and their work.
