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Richard Schickel

    10 de febrero de 1933 – 18 de febrero de 2017

    Richard Schickel fue un importante historiador y crítico de cine estadounidense cuyo trabajo profundizó en la historia y evolución del cine estadounidense. A menudo desafió los enfoques críticos establecidos, analizando los cambiantes enfoques sociales y morales que influyeron en la realización cinematográfica. Sus escritos y documentales exploraron no solo el cine, sino también otras formas de cultura popular, como los dibujos animados. La contribución de Schickel reside en su perspicaz perspectiva sobre la crítica cinematográfica y su papel en la sociedad.

    Richard Schickel
    Spielberg:A Retrospective
    Keepers
    The Disney Version: The Life, Times, Art and Commerce of Walt Disney
    Clint: A Retrospective
    The Men Who Made the Movies
    Conversations With Scorsese
    • Conversations With Scorsese

      • 448 páginas
      • 16 horas de lectura

      With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films.

      Conversations With Scorsese
    • The Men Who Made the Movies

      • 322 páginas
      • 12 horas de lectura

      The book features in-depth conversations with eight legendary Hollywood directors, including Hitchcock and Capra, reflecting on their careers during pivotal decades of American cinema. It highlights their significant contributions to film, blending critical analysis with popular appeal. Readers will gain valuable insights into the filmmaking process, making it an educational resource for cinema enthusiasts. Praised for its readability and informative content, it serves as an excellent introduction to the art of filmmaking.

      The Men Who Made the Movies
    • Focusing on the journey of a shy boy from Chicago, the narrative explores his rise to become a pivotal figure in Hollywood, ultimately establishing the first multimedia entertainment empire. This work delves into the profound impact he had on American popular culture, revealing how his innovations continue to influence the entertainment industry today.

      The Disney Version: The Life, Times, Art and Commerce of Walt Disney
    • Keepers

      The Greatest Films--And Personal Favorites--Of a Moviegoing Lifetime

      • 320 páginas
      • 12 horas de lectura

      Exploring six decades of cinematic history, Richard Schickel reflects on his personal favorites, from classics like Snow White to modern masterpieces like Pulp Fiction. He delves into the elements that elevate films, celebrating the unforgettable scenes, characters, and moments that define "movie magic." Through his insights, Schickel emphasizes the subjective nature of film criticism, showcasing the enduring impact of iconic films and filmmakers such as Buster Keaton, Ingrid Bergman, and Stanley Kubrick that have shaped his lifelong passion for cinema.

      Keepers
    • Celebrates some forty years of Steven Spielbergs boundless energy and his unwavering commitment to excellence in all areas of his work. Featuring many first-person observations drawn from the author's interviews with Spielberg, this book presents an insiders perspective on Spielbergs legendary achievements.

      Spielberg:A Retrospective
    • Gathers portraits of Gary Cooper spanning his career from The Virginian to High Noon, and offers an appreciation of his qualities as an actor

      Gary Cooper
    • Woody Allen

      A Life in Film

      • 224 páginas
      • 8 horas de lectura

      Focusing on the life and impact of a significant yet often overlooked American filmmaker, this essential reference provides concise insights into his era and contributions. It serves as a valuable resource for those looking to deepen their understanding of his work and the cultural context in which he created.

      Woody Allen
    • Double Indemnity

      • 72 páginas
      • 3 horas de lectura

      Richard Schickel traces in fascinating detail the genesis of the film: its literary origins in the crime fiction of the 1930s, the difficult relations between Wilder and his scriptwriter Raymond Chandler, the casting of a reluctant Fred MacMurray, the late decision to cut from the film the expensively shot final sequence of Neff's execution.

      Double Indemnity