Mary Beard Libros

Mary Beard no es solo la clasicista más famosa a nivel internacional; es también una feminista comprometida y como tal se manifiesta asiduamente en las redes sociales. En este libro muestra, con ironía y sabiduría, cómo la historia ha tratado a las mujeres y personajes femeninos poderosos. Sus ejemplos van desde el mundo clásico hasta el día de hoy, desde Penélope, Medusa o Atenea hasta Theresa May y Hillary Clinton. Beard explora los fundamentos culturales de la misoginia, considerando la voz pública de las mujeres, nuestras suposiciones culturales sobre la relación de las mujeres con el poder y cuánto se resisten las mujeres poderosas a ser sometidas a un patrón masculino. Con reflexiones personales sobre sus propias experiencias de sexismo y agresión de género que ha soportado en las redes sociales, la autora pregunta: si no se percibe que las mujeres están dentro de las estructuras del poder, ¿no es necesario redefinir el poder?

Novelas, películas, teatro, moda, turismo dan fe del innegable atractivo que sigue ejerciendo, pasados más de dos mil años, el mundo clásico en nuestros días. A cargo de los prestigiosos especialistas Mary Beard y John Henderson, esta breve introducción nos lleva, con un original planteamiento, a captar y distinguir las variadísimas imbricaciones de la antigüedad grecolatina y los numerosos frutos que ha alumbrado a lo largo de la historia, desde Virgilio a Poussin y Evelyn Waugh, de Demócrito a Karl Marx, de las ruinas de un templo en la recóndita Arcadia a James Frazer. Un libro vivaz, de amena lectura, rebosante de anécdotas, que no sólo rompe una lanza a favor de la cultura clásica, sino que sienta su importancia insoslayable para la comprensión y construcción del mundo actual.

THE SUNDAY TIMES TOP TEN & NEW YORK TIMES BESTSELLER BLACKWELL'S NON-FICTION BOOK OF THE YEAR SHORTLISTED FOR THE WATERSTONES BOOK OF THE YEAR 2023 'Extraordinary ... a deliciously varied tapestry of detail drawn from across nearly three centuries' Telegraph What was it really like to rule and be ruled in the Ancient Roman world? In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

THE SUNDAY TIMES TOP TEN BESTSELLER & BEST HISTORY BOOK OF 2023THE NEW YORK TIMES BESTSELLERA TELEGRAPH BEST HISTORY BOOK OF 2023A BLOOMBERG BEST BOOK OF 2023A PROSPECT BEST HISTORY BOOK OF 2023BLACKWELL'S NON-FICTION BOOK OF THE YEARSHORTLISTED FOR THE WATERSTONES BOOK OF THE YEAR 2023THE TIMES TOP 50 PAPERBACKS OF THE YEAR 2024 '[Mary Beard] has always had the sharpest eyes for telling detail and colourful anecdote' Sunday Times'Britain's most famous classicist ... at the peak of her powers' The Times'Extraordinary ... a deliciously varied tapestry of detail drawn from across nearly three centuries' Telegraph'The reigning Queen of Classics' SpectatorWhat was it really like to rule and be ruled in the Ancient Roman world?In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE).Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained?Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

This book offers a radical survey of over a 1000 years of religious life, from the foundation of Rome to its rise to world empire & Xian conversion. It sets religion in its full cultural context, between the primitive hamlet of the 8th century BCE & the cosmopolitan, multicultural society of the 1st centuries of the Xian era. A companion volume, Religions of Rome, Vol 2: A Sourcebook, sets out a wide range of documents, illustrating the religious life in the Roman world.Acknowledgements Preface Conventions & abbreviations Maps 1 Early Rome 2 Imperial triumph & religious change 3 Religion in the late Republic 4 The place of religion: Rome in the early Empire 5 The boundaries of Roman religion 6 The religions of imperial Rome 7 Roman religion & Roman Empire 8 Roman religion & Christian emperors: 4th & 5th centuries Bibliography Details of maps & illustrations Index

'The reigning Queen of Classics' Spectator What are civilisations? At the heart of this big question is how people have depicted the human and divine, from prehistory to the present day. Britain's most famous classicist Mary Beard asks: how have we portrayed ourselves in some of the world's earliest art? Why have these images sometimes been so contentious? In time for the 55th anniversary airing of Kenneth Clark's Civilisation, Beard explores gigantic stone heads carved by the Olmec in Central America, the statues and pottery of the ancient Greeks, and the first emperor of China's terracotta army. And she explains how one ancient representation of the human body still influences (or distorts) how people in the West see their own culture, and that of others. From Angkor Wat to the Ravenna mosaics and exquisite calligraphy of Islamic mosques, all religions have wrestled with idolatry and iconoclasm. Throughout this story, Beard is concerned not only with the artists who made art, but with those who have used, viewed, or interpreted it - and asked how to look with The Eye of Faith.

'The book is part of a series of introductory studies intended to bring the latest developments in art history to students and general readers. But it offers something new to the specialist reader too [...] the quantity of illustrations is impressive for such a slim and inexpensive book ...Classical Art is illuminating, playful, provocative, and often (literally) iconoclastic' -Times Higher Education Supplement

Pompeii explodes a number of myths - from the very date of the eruption, probably a few months later than usually thought; the hygiene of the baths which must have been hotbeds of germs; and the legendary number of brothels, most likely only one, to the massive death count which was probably less than ten per cent of the population.Street Life, Earning a Living: Baker, Banker and Garum Maker (who ran the city), The Pleasure of the Body: Food, Wine, Sex and Baths, these chapter headings give a surprising insight into the workings of a Roman town. At the Suburban Baths we go from communal bathing to hygiene to erotica. A fast-food joint on the Via dell' Abbondanza introduces food and drink and diets and street life. These are just a few of the strands that make up an extraordinary and involving portrait of an ancient town, its life and its continuing re-discovery, by Britain's leading classicist.

The ruined silhouette of the Parthenon on its hill above Athens is one of the world's most famous images. Its 'looted' Elgin Marbles are a global cause celèbre. But what actually are they? In the first of an occasional 'series' on wonders of the world - such as the Colosseum, Stonehenge, the Pyramids, the Alhambra, Mary Beard, biographer, reviewer and leading Cambridge classicist, tells the history and explains the significance of the Parthenon, the temple of the virgin goddess Athena, the divine patroness of ancient Athens:

"Why the popular resonance of 'mansplaining' (despite the intense dislike of the term felt by many men)? It hits home for us because it points straight to what it feels like not to be taken seriously: a bit like when I get lectured on Roman history on Twitter. Britain's best known classicist Mary Beard, is also a committed and vocal feminist. With wry wit she shows how history has treated powerful women. With examples ranging from Medusa and Athena to Theresa May and Elizabeth Warren, Beard explores the cultural underpinnings of misogyny, considering the public voice of women, how we look at women who exercise power, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template. With personal reflections on her own experiences of sexism online and the gendered violence she has endured as a woman in the public eye, Mary asks: if women aren't perceived to be fully within the structures of power, isn't it power that we need to redefine?"--Publisher