Helen FitzGerald se adentra en los aspectos crudos y a menudo oscuros de la naturaleza humana, empleando un estilo marcado por una aguda perspicacia psicológica y un ingenio poco convencional. Sus narrativas exploran complejas cuestiones éticas y dilemas morales, presentando frecuentemente giros inesperados. FitzGerald destaca en la creación de personajes creíbles que navegan por los márgenes de la sociedad, examinando temas de culpa, retribución y la búsqueda de redención. Su escritura es a la vez cautivadora y provocadora.
When she starts her new job as a parole officer, Krissie is happy and in love.
Then she meets convicted murderer Jeremy, and begins to believe he may be
innocent. Her growing obsession with his case threatens to jeopardise
everything - her job, her relationship and her life.
He's gone, and telling the truth won't bring him back. When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world. Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other. Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right? 'The Cry' is a dark psychological thriller with a gripping moral dilemma at its heart and characters who will keep you guessing on every page.
Krissie and Sarah - best friends for years - have always wanted different things from life. Krissie has no desire to settle down, whereas Sarah married a doctor in her early twenties and is dying to start a family. So when Krissie becomes pregnant after a fling and Sarah can't seem to conceive, things get a little tense.
So far, twenty-three thousand and ninety six people have seen me online. They include my mother, my father, my little sister, my grandmother, my other grandmother, my grandfather, my boss, my sixth year Biology teacher and my boyfriend James. When Leah Oliphant-Brotheridge and her adopted sister Su go on holiday together to Magaluf to celebrate their A-levels, only Leah returns home. Her successful, swotty sister remains abroad, humiliated and afraid: there is an online video of her, drunkenly performing a sex act in a nightclub. And everyone has seen it. Ruth Oliphant-Brotheridge, mother of the girls, successful court judge, is furious. How could this have happened? How can she bring justice to these men who took advantage of her dutiful, virginal daughter? What role has Leah played in all this? And can Ruth find Su and bring her back home when Su doesn't want to be found?
The story unfolds as a middle-aged couple seeks a simpler life in the countryside, inadvertently creating turmoil for their two daughters. As the girls become increasingly isolated, their relationships deteriorate into arguments and violence. This chilling psychological thriller combines dark humor with a gripping exploration of family dynamics, showcasing the unsettling consequences of seemingly benign choices. Helen FitzGerald delivers a compelling narrative filled with tension and unexpected twists.
When Leah Doyle and her adopted sister Su go on holiday together to Magaluf to celebrate their A-levels, only Leah returns home. Her successful, swotty sister remains abroad, humiliated and afraid: there is an online video of her, drunkenly performing a sex act in a nightclub. And everyone has seen it. Jennifer Doyle, mother of the girls, successful court judge, is furious. How could this have happened? How can she bring justice to these men who took advantage of her dutiful, virginal daughter? What role has Leah played in all this? And can Jennifer find Su and bring her back home when Su doesn't want to be found?
On her first shift at an Edinburgh halfway house for violent offenders, a
young woman is taken hostage and turns to the residents for help. A twisty,
shockingly dark thriller.
»›Tod sei Dank‹ verstrickt den Leser in ein moralisches, abgründiges Verwirrspiel.« Stern
Will, alleinerziehender Vater der 16-jährigen Zwillinge Georgie und Kay hat ein Problem: Die Mädchen brauchen eine Spenderniere, sonst werden sie sterben. Und Will kann nur eine Niere vergeben. Nach langem Grübeln setzt er einen Privatdetektiv darauf an, Cynthia zu finden, die Mutter der beiden, deren Niere das Leben einer der Töchter retten könnte. Vor 13 Jahren ist sie mit Heath, ihrem Dealer und Lover, abgehauen. Doch als sie nach Schottland zurückkommt, hat sie eigene Pläne: Sie will Heroin, und sie will Heath aus dem Gefängnis freibekommen. Will ist ratlos und eines Nachts, im Rotweindunst, schreibt er eine verzweifelte Liste: Pro und Contra, Georgie versus Kay … Ihr neuer Roman erscheint parallel als HC bei Galiani Berlin.