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David Bordwell

    23 de julio de 1947 – 29 de febrero de 2024

    David Bordwell es uno de los académicos cinematográficos más influyentes de los Estados Unidos, reconocido por sus análisis detallados de estilos y períodos cinematográficos. Su obra, a menudo en colaboración con Kristin Thompson, profundiza en la comprensión del lenguaje cinematográfico y su contexto histórico. Bordwell explora particularmente el cine clásico de Hollywood y las cinematografías de diversas culturas. Su influencia se extiende mucho más allá del ámbito académico, habiendo formado a una generación de profesores de estudios de cine y con sus libros traducidos a nivel mundial.

    David Bordwell
    On the history of film style
    The Classical Hollywood Cinema
    Poetics of Cinema
    Planet Hong Kong : popular cinema and the art of entertainment
    Film history : an introduction
    Film Art
    • Film Art

      An Introduction

      Film Art is often assigned to college students taking their first film class. Authors David Bordwell and Kristin Thompson do not follow the traditional method of teaching film art through a close analysis of individual films. Instead, they provide an overview of the major issues students confront when they watch movies. In clear, straightforward prose, the authors describe and dissect the complexities of filmmaking, film narrative, film form, and film technique. This book serves as a fine introduction not only to the field of film studies, but also to the theories and concerns of two of the most important scholars in that field.

      Film Art
    • Film history : an introduction

      • 808 páginas
      • 29 horas de lectura

      This comprehensive survey not only acknowledges the contributions of Hollywood and films from other US sources, but broadens its scope to examine film-making internationally.

      Film history : an introduction
    • Poetics of Cinema

      • 512 páginas
      • 18 horas de lectura

      Focusing on the historical poetics of cinema, the author delves into how films are crafted within specific historical contexts to evoke particular effects. Drawing on twenty-five years of research, the analysis explores the intricate relationship between filmmaking practices and the cultural, social, and technological influences that shape them, offering valuable insights for film studies.

      Poetics of Cinema
    • Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.

      The Classical Hollywood Cinema
    • Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.

      On the history of film style
    • "Arriving fifty years after Ebert published his first film review in 1967, this second edition of Awake in the Dark collects Ebert's essential writings. Featuring new Top Ten Lists and reviews of the years' finest films through 2012, this edition allows both fans and film buffs to bask in the best of an extraordinary lifetime's work."--Provided by publisher.

      Awake in the Dark
    • Staging and style -- Feuillade, or, Storytelling -- Mizoguchi, or, Modulation -- Angelopoulos, or, Melancholy -- Hou, or, Constraints -- Staging and stylistics.

      Figures Traced in Light
    • Perplexing Plots

      • 512 páginas
      • 18 horas de lectura

      David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how popular culture has evolved over the past century.

      Perplexing Plots
    • Narration in the Fiction Film

      • 384 páginas
      • 14 horas de lectura

      Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.

      Narration in the Fiction Film