Ronald Vlek Orden de los libros (cronológico)

Madhuri Vijay beschrijft op prachtige wijze de zoektocht van een jonge vrouw naar een verloren figuur uit haar kindertijd. Na haar moeders dood reist Shalini, een bevoorrechte en rusteloze jonge vrouw uit Bangalore, naar een afgelegen himalayadorp in Kasjmir, de woelige noordelijke regio van India. Ze gelooft dat het verlies van haar moeder verband houdt met de verdwijning van Bashir Ahmed tien jaar geleden. Deze charmante kasjmierverkoper bezocht vroeger regelmatig haar ouderlijk huis. Maar hij blijkt niet gemakkelijk te vinden en tijdens haar reis wordt Shalini geconfronteerd met de politieke onrust in Kasjmir, en de consequenties voor de familie die haar in huis neemt. Wanneer het leven in het dorp steeds meer beladen wordt en oude conflicten dreigen uit te barsten in geweld, voelt Shalini zich gedwongen keuzes te maken. Keuzes die gevaarlijke gevolgen hebben voor de mensen van wie ze is gaan houden. In Het verre veld verweeft Madhuri Vijay op meesterlijke wijze de Indiase politiek in meeslepend proza over verdriet, schuld en de grenzen van mededogen.

"Originally published in hardcover in Great Britain in slightly different form by Johnathan Cape, ... London, in 2019"--Copyright page.

?Preferira̕s amar ms̀ y sufrir ms̀ o amar menos y sufrir menos? Creo que, en definitiva, esa es la n︢ica cuestin̤, reflexiona al inicio de la novela su protagonista. En la dčada de los sesenta, cuando tena̕ diecinueve aǫs y regres ̤de la universidad para pasar el verano en casa de sus padres, Paul se apunt ̤a un club de tenis en el que conoci ̤a Susan Macleod, de cuarenta y ocho aǫs, casada no muy felizmente y con dos hijas ya mayores.

1936: Shostakovich, sólo treinta, teme por su sustento y su vida. Stalin, hasta entonces una figura distante, ha tomado un interés repentino en su trabajo y ha denunciado su última ópera. Ahora, seguro de que será exiliado a Siberia (o, más probablemente, muerto a tiros en el lugar), reflexiona sobre su situación, su historia personal, sus padres, varias mujeres y esposas, sus hijos todos los que están en el equilibrio de su destino. Y aunque un golpe de suerte le impide convertirse en otra víctima del Gran Terror, durante los años venideros se mantendrá bajo el pulgar del despotismo: hecho para representar los valores soviéticos en una conferencia cultural en la ciudad de Nueva York, forzado a unirse El Partido, y obligado, constantemente, a pesar apaciguando a aquellos en el poder contra la integridad de su música. Barnes nos guía elegantemente a través de la trayectoria de la carrera de Shostakovich, al mismo tiempo que ilumina la tumultuosa evolución de la Unión Soviética. El resultado es a la vez un impresionante retrato de un hombre implacablemente fascinante y una brillante meditación sobre el significado del arte y su lugar en la sociedad "- Proporcionado por el editor

In the beginning, everything was alive. The smallest objects were endowed with beating hearts. Paul Auster recalls his life through the story of his physical self in Winter Journal, now reflecting on his inner development and experiences with the outer world, alongside revealing letters to his first wife, Lydia Davis. This impressionistic portrait of a writer coming of age captures Auster's journey from a baby's-eye view of the moon to his childhood admiration for movie cowboy Buster Crabbe, the composition of his first poem at nine, and his growing awareness of American injustices. It charts his moral, political, and intellectual evolution as he navigates the post-war fifties and the turbulent sixties. Auster evokes the sounds, smells, and sensations of his early life, filled with moving images and his love for cartoons and films. The book culminates uniquely, breaking from prose into pure imagery, with the final section recapitulating the earlier parts through an album of pictures. This four-part work not only tells the story of Auster's times but also of the emerging consciousness of a renowned literary artist, addressing the challenge of autobiography in an unprecedented manner.

The Pedant in the Kitchen is a perfect comfort for anyone who has ever been defeated by a cookbook. The Pedant's ambition is simple. He wants to cook tasty, nutritious food; he wants not to poison his friends; and he wants to expand, slowly and with pleasure, his culinary repertoire

Now a major film starring Academy Award nominees Jim Broadbent (Iris) and Charlotte Rampling (45 Years) Winner of the Man Booker Prize for Fiction in 2011 Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.

June Han was only a girl when the Korean War left her orphaned; Hector Brennan was a young GI who fled the petty tragedies of his small town to serve his country.

Sinuously constructed in four interlocking parts, Invisible opens in New York City in the spring of 1967 when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University meets the enigmatic Frenchman Rudolf Born, and his silent and seductive girlfriend Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story, as it travels in time from 1967 to 2007 and moves from New York to Paris and to a remote Caribbean island in a story of unbridled sexual hunger and a relentless quest for justice.With uncompromising insight, Auster takes us to the shadowy borderland between truth and memory, authorship and identity to produce a work of unforgettable power that confirms his reputation as one of America's most spectacularly inventive writers.

Texas welder Llewelyn Moss makes a dubious discovery while out hunting antelope near the banks of the Rio Grande: a dead man, a stash of heroin, and more than $2 million in cash. Moss packs out the money, knowing his actions will imperil him for the rest of his life. He's soon on the run, left to his own devices against vengeful drug dealers, a former Special Forces agent, and a psychopathic freelance killer with ice blue eyes. Shades of Dostoyevsky, Hemingway, and Faulkner resonate in McCarthy's blend of lyrical narrative, staccato dialogue, and action-packed scenes splattered with bullets and blood. McCarthy fans will revel in the author's renderings of the raw landscapes of Mexico and the Southwest and the precarious souls scattered along the border that separates the two. Many are the men here who maim in the name of drugs. "If you killed 'em all," says the local sheriff, "they'd have to build an annex onto hell."

"In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic—part memoir, part reportage, part mystery, and part scholarly detective work—that brilliantly explores the nature of time and memory, family and history. The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust—an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him."--from amazon.com

Josie Tyrell, art model, teen runaway, and denizen of LA's 1980 punk rock scene, finds a chance at real love with art student Michael Faraday. A Harvard dropout and son of a renowned pianist, Michael introduces her to a world of sophistication, and to his spiritual quest for the beauty that shines through everyday experience. But when she receives a call from the Los Angeles County Coroner asking her to identify her lover's dead body, her bright dreams fade to black. 'What happens to a dream when the dreamer is gone?' Josie finds herself drawn into a twisted relationship with Michael's pianist mother, Meredith, that reflects equal parts distrust and blind need. Passionate, wounded, fiercely alive, Josie Tyrell walks the brink of her own destruction as she fights to discover what is left of the brilliant vision of the future she and Michael once nurtured together. With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch has written a spellbinding new novel about love and betrayal.

In the fall of 1900, Dr. Gustav Uyterhoeven left the chess garden that he and his wife, Sonja, had created together in Dayton, Ohio, and journeyed to South Africa to serve as a doctor in the British concentration camps of the Boer War. Over the next ten months he sent twelve chess pieces and twelve letters back to Sonja. She set out her husband's gifts as they arrived and welcomed all the most faithful guests of the garden to come and hear what he had written - letters which told nothing of his experience of the camps but described an imagined land called the Antipodes, where all the game pieces that cluttered the sets and drawers of the garden collection came to life to guide the doctor through his fateful and wondrous last adventure. Brooks Hansen offers a tale of spiritual progress disguised in the most exotic visions of the imagination. And yet The Chess Garden encompasses a very real world, too. Alongside the doctor's visions of the Antipodes, the story of his life gradually unfolds as well. History and allegory are expertly woven until finally both lead back to the chess garden itself, a place where ideas give way to vision, reason meets faith, and fact and figment are finally reconciled.

De Amerikaanse Betty trouwt met de Iraanse Moody. Samen met hun dochtertje Mahtob vormen ze een gelukkig gezin. Wanneer ze Moodys familie in Teheran bezoeken, verandert Bettys leven echter in een ware nachtmerrie. Moody ontpopt zich tot een gewelddadige man, die er niet voor terugdeinst zijn vrouw en kind in Iran gevangen te houden. Pas na anderhalf jaar wordt Bettys hoop om met de kleine Mahtob naar Amerika terug te keren werkelijkheid. Eindelijk is iemand bereid hen het land uit te smokkelen. Het begin van een levensgevaarlijke tocht... Eenmaal terug in Amerika moet Betty een nieuw bestaan opbouwen. Ze leeft voortdurend in angst dat Moody zijn dreigementen om Betty te vermoorden en Mahtob mee terug te nemen naar Iran zal uitvoeren. Dat Bettys verhaal niet uniek was bleek uit de talloze reacties die ze op haar eerste boek kreeg van wanhopige ouders die haar ervaringen deelden. In Uit liefde voor mijn kind laat ze ook hen aan het woord, en hun verhalen, vol wanhoop, machteloosheid en woede, zijn stuk voor stuk hartverscheurend.

In August 1984, Michigan housewife Betty Mahmoody accompanied her husband to his native Iran for a two-week vacation that turned into a permanent stay. To her horror, she found herself and her four-year-old daughter, Mahtob, virtual prisoners of a man rededicated to his Shiite Moslem faith, in a land where women are near-slaves and Americans despised. Their only hope for escape lay in a dangerous underground that would not take her child.