Jeffrey Eugenides Libros

Es verano en la América de la década de 1970 y las cinco hermanas Lis­bon se quitan la vida ante la atónita mirada de sus vecinos. Veinticinco años después, Jonathan, el enamorado amigo de una de ellas, recuerda el impacto que produjeron aquellas muertes. Las chicas vivían enclaustradas en casa, sometidas a la férrea custodia de unos padres extremadamente estrictos. Sus figuras deambulaban por las habitaciones y sus sombras proyectadas en las ventanas las hacían deseables a quienes se asomaban a ellas. Todavía hoy, tantos años después, aquellas lolitas fascinan a unos hombres que siguen preguntándose qué ocurrió.

In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blond classmate with a gift for acting. The passion that furtively develops between them leads Callie to suspect that she is not like other girls. In fact, Callie has inherited a rare genetic mutation. The biological trace of a guilty secret, this gene has followed her grandparents from the crumbling Ottoman Empire to Detroit and has outlasted the glory days of the Motor City, the race riots of 1967, and the family's second migration, into the foreign country known as suburbia. Thanks to the gene, Callie is part girl, part boy. And even though the gene's epic travels have ended, her own odyssey has only begun.

"When it comes to love, there are a million theories to explain it. But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name . . . . It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer."—Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

Ranging from the reproductive antics of Baster to the wry, moving account of a young traveler's search for enlightenment in Air Mail, this collection presents characters in the midst of personal and national crises. We meet a failed poet who, envious of other people's wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art collapse under the obligations of marriage and fatherhood; and, in Bronze, a sexually confused college freshman whose encounter with a stranger on a train leads to a revelation about his past and his future.

The first collection of short fiction from the Pulitzer Prize-winning author Jeffrey Eugenides Jeffrey Eugenides’s bestselling novels have shown him to be an astute observer of the crises of adolescence, self-discovery, family love, and what it means to be American in our times. The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.

It's the early 1980s. In American colleges, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and Geroge Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels.

Middlesex is a significantly more ambitious and much odder novel than Jeffrey Eugenides' resonant debut, The Virgin Suicides (on DVD), which was a bittersweet paean to adolescent love. This is a sprawling family saga, bursting with life, which spans three generations and crosses several continents. At its core, however, is another unorthodox but exquisite coming-of-age story. The book's wily narrator and central character, Calliope Stephanides (named after the muse of epic poetry) is a hermaphrodite raised as a girl who comes to realise she is happier as a boy and is now living as a man in contemporary Berlin. Cal's tale begins, appropriately enough, in Greece (or more precisely Asia Minor)--an Aegean Strasbourg whose sovereignty is claimed by Greece and Turkey. In 1922 brother and sister Lefty and Desdemona Stephanides escaped their war-torn homeland and arrived, as man and wife, in Detroit, America. It is this coupling that ultimately begets their grandchild Calliope and her ambiguous sexuality, as she, or rather by then he, sanguinely notes: Some people inherit houses; others painting or highly insured violin bows. Still others get Japanese tansu or a famous name. I got a recessive gene on fifth chromosome and some very rare family jewels indeed. As Cal recounts the experiences of the Stephanides clan in their new land--from the Depression to Nixon--he unfurls his own symbiotic odyssey to a new sex. Cal's narrative voice is arch, humorous and self aware, continually drawing attention to its authorial sleights of hand, but never exasperating. This is big, brainy novel--The Oracle of Delphi puts in an unlikely appearance in the middle of a teenage tryst--but one full of compassion. Eugenides' astonishingly rich story persistently engages the heart as well as the mind. --Travis Elborough