William Faulkner Libros

Una de las novelas más representativas del Premio Nobel estadounidense destaca en su monumental obra. Entre lo más notable de Faulkner se encuentran las novelas del «ciclo de Yoknapatawpha», que fungen como fábulas sobre la vida en el sur de EE. UU. y el destino humano. La historia comienza con la llegada de varios miembros de la familia Snopes a la aldea de Jefferson, precedidos por rumores de venganzas extrañas en las granjas. Gradualmente, los Snopes se apoderan del pueblo de manera insidiosa, sorprendiendo e impotentizando a sus habitantes, llevándolos hacia el fracaso, la humillación e incluso la muerte. Reseñas destacan la grandeza de Faulkner, como Juan Carlos Onetti, quien expresa que leerlo puede hacer sentir que es inútil seguir escribiendo. Rodrigo Fresán menciona que nadie vuelve a ser el mismo después de leerlo. Eudora Welty señala que el mundo ficticio de Faulkner, con su tragedia y belleza, está vivo y será habitado por los lectores del futuro. La narrativa ofrece una mirada irónica a la tragedia clásica y un comentario mordaz sobre las pretensiones del sur antebellum y su decadencia tras la guerra y la Reconstrucción, centrándose en la ascensión de la familia Snopes en un pequeño pueblo construido sobre las ruinas de una plantación.

Pocas obras producen tan plena sensación de encontrarse ante lo que, en los aledaños de lo absoluto, puede llegar a ser la verdadera literatura. Del análisis de la sexualidad y el deseo a la trágica aceptación del destino, de la formación del carácter individual a la conciencia, Faulkner ofrece una altura literaria que afecta por igual a las peripecias de la trama y a esos rasgos de estilo identificadores de actitudes y personajes que constituyen uno de sus logros mayores. En La ciudad, segunda parte de la «Trilogía de los Snopes», iniciada por El villorrio (Alfaguara, 1987) y que concluye con La mansión (Alfaguara, 1990), el autor sigue el desarrollo de los Snopes a través de tres puntos de vista. El primero de ellos es el de K. V. Ratcliff, vendedor de máquinas de coser que había aparecido ya en Sartoris y Mientras agonizo. El segundo es el de su amigo Gavin, en buena medida contrapunto del buen juicio del anterior. Y, por fin, el de Charles Mallison, encarnación de la esperanza en las virtudes de un nuevo Sur de los Estados Unidos, y protagonista de su propia historia de iniciación.

No Fear Shakespeare Graphic Novels is a series based on the translated texts of the plays found in No Fear Shakespeare. The original No Fear series made Shakespeare’s plays much easier to read, but these dynamic visual adaptations are impossible to put down. Each of the titles is illustrated in its own unique style, but all are distinctively offbeat, slightly funky, and appealing to teen readers. Each book will feature:

Light in August , a novel that contrasts stark tragedy with hopeful perseverance in the face of mortality, features some of Faulkner’s most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, a lonely outcast haunted by visions of Confederate glory; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.

Barcelona. 21 cm. 364 p. retr. Encuadernación en tapa dura de editorial. Colección 'Literatura norteamericana', numero coleccion(5.). Faulkner, William 1897-1962. Traducción, Ana Antón-Pacheco. Traducción de: The sound and the fury. Clásicos del siglo XX. 5. Literatura norteamericana .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 84-473-0978-9

Lee Goodwin es acusado de asesinato. El escenario del crimen es una casa oculta entre los árboles que alberga una destilería ilegal. Allí viven, entre otros, Ruby, una mujer que ha renunciado a todo por Lee, y Popeye, un sádico gánster marcado por una infancia terrible. El abogado Horace Benbow lucha para que Goodwin no sea juzgado por ser quien es, sino por los actos de los que le acusan. Para ello necesita la ayuda de Temple Drake, una adolescente que siente una extraña atracción por el peligro. Pero Temple ha desaparecido. Santuario fue la obra que dio a conocer a William Faulkner al gran público. Una historia escalofriante en la que caben toda la fuerza y la originalidad del genial novelista estadounidense.

Addie Bundren, antigua maestra de escuela, yace agonizante mientras sus hijos y su marido aguardan el momento de su muerte y se disponen a cumplir su voluntad de ser enterrada en el cementerio de Jefferson, a más de sesenta kilómetros de distancia, junto a sus antepasados. La narración de las peripecias que corren los pobres e ignorantes miembros de la familia Bundren a lo largo del extraño y accidentado traslado del cadáver en carromato de mulas, da pie a William Faulkner (1897-1962) para levantar en las páginas de MIENTRAS AGONIZO (1930) una de sus novelas más ricas. Sirviéndose del monólogo interior de los personajes, crea una novela poliédrica que, cual una piedra tallada, va reflejando, según la faceta a través de la cual apreciamos su unidad, los infinitos claroscuros de la naturaleza humana.

Lo cierto es que nadie le acepto para las tablas sus nuevas comedias, sin duda porque no se adaptaban a las exigencias del publico, hecho ya al gusto del teatro lopeveguesco. Lope como Cervantes dice habia impuesto sus patrones teatrales a escritores, publico, comicos y autores...

Focusing on the artistry of the short story, this volume showcases William Faulkner's complete collected works, edited to reflect his original intentions. It includes his major collections, such as "These Thirteen" and "Knight's Gambit," along with notable stories like "A Rose for Emily" and "Barn Burning." The edition also features lesser-known works and Faulkner's autobiographical essay "Mississippi," alongside his Nobel Prize acceptance speech. Enhanced by scholarly notes, this collection offers a comprehensive view of Faulkner's storytelling mastery.

The years 1942 to 1954 saw William Faulkner's rise to literary celebrity - sought after by Hollywood, lionized by the critics, awarded a Nobel Prize in 1950 and the Pulitzer and National Book Award for 1954. But despite his success, he was plagued by depression and alcohol and haunted by a sense that he had more to achieve - and a finite amount of time and energy to achieve it. This volume - the third in The Library of America's new, authoritative edition of Faulkner's complete works - collects the novels written during this crucial and fascinating period in his career. The newly restored texts, based on Faulkner's manuscripts, typescripts, and proof sheets, are free of the changes introduced by the original editors and are faithful to the author's intentions. In the four works included here, Faulkner delved deeper into themes of race and religion, and furthered his experiments with fictional structure and narrative voice; defying the odds, he continued to break new ground in American fiction. Go Down, Mos

Included are classics of short-form fiction such as A Bear Hunt', A Rose for Emily', Two Soldiers' and The Brooch'. Faulkner's ability to compress his epic vision into narratives of such grace and tragic intensity defines him as one of the finest and most original writers America has ever produced.

In the first novel of the cycle exploring the glory and despair of the American South, the essential social roles are established: the aristocratic Sartoris family, the plebeian MacCallums, the murderous Snopes clan, and the oppressed Black community. Set in the aftermath of World War I, the narrative intertwines Southern issues with the theme of the "lost generation." Young Bayard Sartoris embodies a generation returning home disillusioned from a war they won. He struggles to reconnect with his family and the familiar traditions of his upbringing. In an attempt to escape his existential pain and traumatic memories of the war, he turns to alcohol and reckless driving, seeking solace in destructive behaviors. The novel delves into themes of identity, loss, and the haunting legacy of conflict, painting a vivid portrait of a society in turmoil.

The collection features Gavin Stevens, a perceptive observer of crime and culture in Mississippi's Yoknapatawpha County, as he navigates six gripping tales of violence. Each story delves into the complexities of human behavior and the darker aspects of society, revealing the intricate relationships and moral dilemmas faced by its characters. Through Stevens' insights, the narratives explore themes of justice, morality, and the impact of violence on community and identity.

"The Bear, " "The Old People, " "A Bear Hunt, " "Race at Morning"--some of Nobel Prize-winning author William Faulkner's most famous stories are collected in this volume--in which he observed, celebrated, and mourned the fragile otherness that is nature, as well as the cruelty and humanity of men. "Contains some of Faulkner's best work."

Covers a 130-year period in the history of Yoknapatawpha county and its citizens as revealed by the author who was one of them

A sale of fiery wild ponies, which manage to escape their corral after they are sold, introduce Flem Snopes, the man behind the sale, to the town of Frenchman's Bend.

The Mansion completes Faulkner’s great trilogy of the Snopes family in the mythical county of Yoknapatawpha, Mississippi, which also includes The Hamlet and The Town. Beginning with the murder of Jack Houston, and ending with the murder of Flem Snopes, it traces the downfall of this indomitable post-bellum family, who managed to seize control of the town of Jefferson within a generation.

“I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t and then tries the short story which is the most demanding form after poetry. And failing that, only then does he take up novel writing.” —William Faulkner Winner of the National Book Award Forty-two stories make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into hard and wounding narratives, Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of the human condition. These tales are set not only in Yoknapatawpha County, but in Beverly Hills and in France during World War I. They are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson, as well as by ordinary men and women who emerge so sharply and indelibly in these pages that they dwarf the protagonists of most novels.

This sequel to Faulkner's most sensational novel, 'Sanctuary', was written twenty years later but takes up the story of Temple Drake eight years after the events related in 'Sanctuary'. Temple is now married to Gowan Stevens. The book begins when the death sentence is pronounced on the nurse Nancy for the murder of Temple and Gowan's child. In an attempt to save her, Temple goes to see the judge to confess her own quilt. Told partly in prose, partly in play form, 'Requiem For A Nun' is a haunting exploration of the impact of the past on the present.

“I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.” —William Faulkner, on receiving the Nobel Prize   Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner’s mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.

“Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner Absalom, Absalom! is Faulkner’s epic tale of Thomas Sutpen, an enigmatic stranger who comes to Jefferson, Mississippi, in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, “who wanted sons and the sons destroyed him.”

Lucius "Loosh" Priest recounts his youthful adventures with the brave yet utterly unreliable Boon Hogganbeck, the clever black driver Ned Hogganbeck, and the kind-hearted prostitute Miss Corrie. The story involves a stolen racehorse and a bordello that is mistaken for a hotel. Through these escapades, Faulkner explores themes of innocence, morality, and the complexities of human relationships in the American South. The narrative captures the spirit of a bygone era, blending humor and poignancy as the characters navigate their misadventures and the societal norms of their time.

'Between grief and nothing I will take grief'In New Orleans in 1937, a man and woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability. schovat popis

Nezkrácený text. Souběžný český text. Růže pro Emilii je nejznámějším příběhem ze stejnojmenné sbírky povídek od amerického spisovatele a držitele Nobelovy ceny Williama Faulknera, který je jinak notoricky známý romány jako Absolone, Absolone! či Když jsem umírala. Ve svých příbězích mistrovsky vystihuje poměry na amerického Jihu a krutou realitu otrokářství i jeho dozvuků. Nyní představujeme výběr jeho povídek v anglicko-českém vydání.

At age 82, Clifton Fadiman continues his prolific publishing career, here presenting 62 of the world's best short stories from 16 countries. His criteria? "Each story had to be both interesting and of high literary merit." Fadiman fulfills both requirements and much more, offering a cornucopia of superior 20th-century writers that includes Franz Kafka, D. H. Lawrence, Isaac Babel, F. Scott Fitzgerald, William Faulkner, Ernest Hemingway, John Cheever, Sean O'Faolain, Graham Greene, Robert Penn Warren, Colette, John Updike, Donald Barthelme, and James Thurber. (Regrettably, J. D. Salinger is not included due to lack of permission.) Here is a truly remarkable collection of this century's short stories that readers from all over the world will read with delight.

Three different ways to approach Faulkner, each of them representative of his work as a whole. Includes "Spotted Horses," "Old Man," and his famous "The Bear."

“I give you the mausoleum of all hope and desire. . . . I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.” —from The Sound and the Fury The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

In a series of episodes set during and after the American Civil War Faulkner profiles the people of the South - who might surrender but could never be vanquished.

Focusing on the criminal investigations led by Gavin Stevens, Yoknapatawpha's county attorney, this collection of six stories explores themes of justice versus law. Originally published in 1949, the first edition suffered from editorial inconsistencies and substantial cuts made by magazine editors. John N. Duvall's new edition restores over four thousand words using previously unknown typescripts, allowing for a more authentic reading experience. Duvall's introduction also examines the impact of detective fiction on Faulkner's readership and career.

William Faulkner's short story "The Bear" was first published in the May 9, 1942 issue of The Saturday Evening Post. The piece--considered one of the best short stories of the twentieth century--is a coming-of-age tale that weaves together themes of family, race, and the taming of the wilderness, as the young main character learns to hunt and track the huge bear known as Old Ben. "Be scared. You can't help that. But don't be afraid. Ain't nothing in the woods going to hurt you unless you corner it, or it smells that you are afraid." This short work is part of Applewood's "American Roots," series, tactile mementos of American passions by some of America's most famous writers and thinkers.

"Barn Burning" is a short story by the American author William Faulkner which first appeared in Harper's in 1939 and has since been widely anthologized. The story deals with class conflicts, the influence of fathers, and vengeance as viewed through the third-person perspective of a young, impressionable child. It is a prequel to The Hamlet, The Town, and The Mansion, the three novels make up the Snopes trilogy.

Set in the deep south that provided the backdrop for all of Faulkner's finest fiction, INTRUDER IN THE DUST is the novel that marks the final phase of its author's outstanding creative period. The chronicle of an elderly black farmer arrested for the murd

William Faulkner is one of the most significant American writers of the twentieth century, but success was elusive with his first novel, Soldiers’ Pay, in 1926. The promising young author had not yet achieved the reputation that would lead to the 1949 Nobel Prize in Literature and two Pulitzer Prizes. Soldiers’ Pay reflects Faulkner’s gift for keen observations, embracing his Southern experience, as well as his experimental narrative techniques blended with literary modernism. He captures the post–World War I atmosphere of the Lost Generation on American soil and explores the war’s emotional impact on three weary veterans and their hometown in Georgia.

“Full of the kind of swift and lusty writing that comes from a healthy, fresh pen.”—Lillian Hellman, New York Herald Tribune A delightful surprise, Faulkner’s second novel introduces us to a colorful band of passengers on a boating excursion from New Orleans. This engaging, high-spirited novel—which Faulkner wrote “for the sake of writing because it was fun”—offers a fascinating glimpse of Faulkner as a young artist.

Old Man is something of an adventure story. When a flood ravages the countryside of the lower Mississippi, a convict finds himself adrift with a pregnant woman.

Exploring complex themes of race, identity, and morality, this novel delves into the turbulent social landscape of the American South. Faulkner's intricate narrative weaves together multiple perspectives, revealing the deep-seated tensions and contradictions within society. The characters grapple with their pasts and the weight of their choices, making for a provocative and thought-provoking read. Its bold exploration of controversial topics has sparked discussions and debates, solidifying its place in literary history.

Faulknerův vrcholný román popisující drama jižanského rodu Sutpenů, jehož zakladatel, bílý nuzák Thomas, se vyšvihne mezi bělošskou aristokracii bohatých plantážníků, ale zavržením syna-míšence vyvolá řadu tragických událostí, pod jejichž tíhou hyne celý rod. Příběh je vyprávěnněkolika vypravěči, z nichž každý zná jen část pravdy a vnáší do děje svůj osobitý pohled, odehrává se v několika rovinách, v přítomném i minulém čase a rozvíjí se v složitý, hrůzný, ale i reálný obraz života na americkém Jihu v časovém rozpětí téměř sta let, kdy děsivé drama otrokářské minulosti znovu a znovu nahlodává přítomnost. Pro snazší orientaci v spletitosti postav a děje připojil autor chronologii událostí a genealogii. Přebal a vazbu navrhl Václav Sivko s použitím fotografie J. V. Kolka. Graficky upravil Jan Wild.

Rekviem za jeptišku je próza Williama Faulknera, která byla poprvé publikováno v roce 1951. Jedná se o pokračování jeho románu Svatyně. Události v Zádušní mši, jak se dílo v originální verzi jmenuje, jsou zasazeny do listopadu 1937 a březnu 1938, odehrávají se tedy osm let po událostech ze Svatyně. Hra je Camusovou dramatizací Faulknerovy prózy.

Роман «Поселок» — первая часть цикла романов американского писателя Уильяма Фолкнера (1897–1962) о жителях Йокнапатофы — вымышленного округа, который стал для писателя неиссякаемым источником тем, образов и сюжетов.

Román líčí se směsí humoru a hořkosti život a společenský vzestup rodiny Snopesů ve státě Mississipi na sklonku 19. stol. Do vesnice vzdálené 40km od Jefersonu, kde dosud panují patriarchální časy a kterou řídí smírčí soudce Varner, se přistěhuje rodina Snopesů. Flem Snopes nastoupí jako příručí v soudcově krámě. Dovede chladnokrevně využívat slabosti druhých ve svůj prospěch. Ožení se soudcovou dcerou, která čeká dítě s jiným mužem a v závěru románu se s celou rodinou stěhuje do Jeffersonu. Postupně se do vesnice přistěhuje řada příbuzných, kteří brzy vládnou celému kraji. Jednání Snopesů sleduje a ironicky komentuje podomní obchodník Ratliff, který rozpozná rozpínavost celé rodiny, ale ani on ji nezabrání.

»Ein Glück, daß ich einen kühlen Kopf habe und nicht eingebildet bin«, schrieb der Vierunddreißigjährige an seine Frau Estelle, nachdem Hollywood ihn entdeckt hatte. Da war er schon ein berühmter Mann. Aus seiner Korrespondenz gewinnt man verblüffende Einsichten in den Menschen Faulkner – Autor, Ehegatte und Südstaatler der alten Schule –, der niemals aufhörte, sich über seine eigene Begabung zu wundern.

Panské sídlo obsahuje tři části nazvané: Mink, Linda a Flem. Zachycuje život na americkém venkově v Yoknapatawphském kraji s hlavním centrem Jeffersonem, v němž najdeme mnoho podobností s mississippským Oxfordem, od r. 1937 - do r. 1946. Jsou zde zaznamenány životní osudy lidí, myšlenky a postoje obyvatel k místním i světovým událostem.

William Faulkner, der 1949 den Literaturnobelpreis erhielt, schuf mit dieser Sammlung von Kriminalgeschichten um Bezirksanwalt Gavin Stevens und seinen ihm istierenden Neffen Charles sechs spannende und atmosphärisch dichte Erzählungen.

Svůj první román Prapory v prachu napsal William Faulkner v devětadvaceti letech. Tento příběh jižanského patricijského rodu z období krátce po ukončení americké občanské války, zabývající se otázkami cti, smrti, rasismu a touhy po přežití, však poprvé vyšel v plném znění až v roce 1978. Předtím po mnoha odmítnutích v jiných nakladatelstvích musel Faulkner přistoupit na to, že román zkrátí a kniha nakonec vyšla v roce 1929 v redukované verzi pod názvem Sartoris. V českém jazyce vychází tento titul poprvé; do češtiny nebyla přeložena ani zkrácená verze.

Dieser Band vereinigt in der Übertragung Arno Schmidts die ersten Prosastücke, die Faulkner 1925 in New Orleans unter dem Titel New Orleans Sketches und Aus dem Gesellschaftsleben von Chartres Street für Sherwood Andersons Zeitschrift »Double Dealer« schrieb. Man begegnet hier bereits Gestalten, die uns aus dem späteren Werk Faulkners bekannt sind: Außenseitern und Ausgestoßenen, die sich durch Stoizismus, kleinen Schwindel und großen Betrug zu behaupten suchen. »Was immer der Süden der Vereinigten Staaten war, was sich in ihm ereignete, welche Schufte und Chevaliers er hervorbrachte: Faulkners ruheloses, vorstellendes Gedächtnis fing alles ein, bewahrte es und brachte es an den Tag« Fritz J. Raddatz/Zeit Magazin, Hamburg

Dějově i ideově samostatný celek tvořící úsek z autorova rozsáhlého románu Panské sídlo. Je to tragický, místy groteskním humorem prosvětlený případ chudáka, který zavraždil boháče, a když po osmatřiceti letech vyjde z vězení je veden jedinou touhou: zavraždit bratrance, který mu mohl pomoci, ale nepomohl a udělal zatím skvělou kariéru, a sám tak aspoň trochu korigovat nespravedlnost společenského řádu. Novela patří k vrcholům Faulknerova umění. Obálka: Zbyněk Sekal 15000 výt.

Die berühmtesten Erzählungen des Nobelpreisträgers (1950) William Faulkner - eine Auswahl, welche die ganze Breite seines Schaffens berücksichtigt: 'Rotes Laub', 'Eine Bärenjagd', 'Eine Rose für Emily', 'Brandstifter', 'Rauch' und viele andere mehr.

Роман, оказавший серьезное влияние на всю американскую литературу. Классика XX века. Глубокий Юг, каким видел, знал, любил и ненавидел его Фолкнер. Земля, где за тщательно побеленными фасадами старинных фермерских усадеб скрываются семейные тайны, кипят разрушительные страсти, ломаются судьбы и совершаются преступления… «Когда я умирала» — роман-одиссея о десяти днях жизни фермеров Бандренов, которые собрались на похороны матери семейства Адди. Уникальность произведения заключается в том, что в нем нет ни слова авторской речи. Весь сюжет представляет собой цепь монологов четырнадцати персонажей, среди которых и незабываемый монолог самой Адди…

Faulkners Erzählungen sind die beste Einführung in den Kosmos seiner großen Romane. Zunächst und vor allem aber sind sie unvergleichliche Abenteuer-, Haß-, Geld-, Jagd- oder Kriminalgeschichten. Bereits hier beschwört er das frühe 20. Jahrhundert in der Provinz Yoknapatawpha mit der Kreisstadt Jefferson am Mississippi.

Protiválečný román, ve kterém Faulkner na pozadí vylíčení vzpoury francouzského pěšího pluku v posledním roce první světové války, kterou se cítí ohroženy obě strany válečného konfliktu, hledá odpověď na stále živou otázku, co je vlastně příčinou válek, a jak jim zabránit. Příběh vůdce vzpoury, který je popraven, přerůstá v alegorické podobenství s osudem Kristovým. Za román byl Faulkner odměněn Pulitzerovou cenou a Národní knižní cenou. Edice: Soudobá světová próza ; sv. 124 6000 výt.

Diese Auswahl umfasst sowohl Erzählungen, die von Faulkner veröffentlicht, jedoch in keiner seiner Kurzgeschichtensammlungen wieder gedruckt wurden, als auch solche, die er danach umarbeitete, um sie in spätere Bücher aufzunehmen; und solche, die bislang unveröffentlicht geblieben sind. Die Geschichten umfassen die unterschiedlichsten Stile und Themen und geben einen Einblick in sein ›work in progress‹.

Je to príbeh jednak o starom, neporaziteľnom medveďovi, jednak o chlapcovi, ktorý si postupne uvedomuje, že legenda o medveďovi skrýva v sebe aj hlbší zmysel a že postupujúca civilizácia ničí nielen panenskú divočinu, ale bezhlavo premrháva aj svoje najlepšie dedičstvo.