Vivian Gornick es una autora cuyas obras ofrecen perspicaces reflexiones sobre la psique humana y las dinámicas sociales. Su escritura a menudo profundiza en temas como la identidad, el amor y la búsqueda de sentido en el mundo moderno. Con una capacidad singular para capturar las complejidades de la emoción y la experiencia humana, Gornick atrae a los lectores a través de su estilo franco y reflexivo. Sus ensayos y memorias proporcionan meditaciones profundas sobre la vida que resuenan con los deseos y dilemas humanos universales.
Now back in print after its initial publication in 1977 and with a new introduction by the author, [this book] is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin's crimes became public--Bac
Seven seminal essays addressing loneliness, friendship and feminism, written in Gornick's inimitable voice, this collection has never been published in Australia.
Gornick, una mujer madura, camina con su madre, ya anciana, por las calles de Manhattan, y en el transcurso de esos paseos llenos de reproches, de recuerdos y complicidades, va desgranando el relato de la lucha de una hija por encontrar su propio lugar en el mundo. Desde muy temprano, Gornick se ve influenciada por dos modelos femeninos muy distintos: uno, el de su madre; el otro, el de Nettie. Ambas, figuras protagónicas en el mundo plagado de mujeres que es su entorno, representan modelos que la joven Gornick ansía y detesta encarnar, y que determinarán su relación con los hombres, el trabajo y otras mujeres durante el resto de su vida
One of our most vital and incisive writers on literature, feminism, and knowing one's self For nearly fifty years, Vivian Gornick's essays, written with her characteristic clarity of perception and vibrant prose, have explored feminism and writing, literature and culture, politics and personal experience. Drawing writing from the course of her career, Taking a Long Look illuminates one of the driving themes behind Gornick's work: that the painful process of understanding one's self is what binds us to the larger world. In these essays, Gornick explores the lives and literature of Alfred Kazin, Mary McCarthy, Diana Trilling, Philip Roth, Joan Didion, and Herman Melville; the cultural impact of Silent Spring and Uncle Tom's Cabin; and the characters you might only find in a New York barber shop or midtown bus terminal. Even more, Taking a Long Look brings back into print her incendiary essays, first published in the Village Voice, championing the emergence of the women's liberation movement of the 1970s. Alternately crackling with urgency or lucid with insight, the essays in Taking a Long Look demonstrate one of America's most beloved critics at her best.
Focusing on Elizabeth Cady Stanton's profound impact on the women's suffrage movement, this biographical essay by Vivian Gornick highlights her role as a leading feminist thinker of the nineteenth century. Stanton's philosophical insights and commitment to equality reflect a distinctly American approach to women's rights. Through her writings and activism, she embodies the essence of feminism as a liberation movement, illustrating why it has thrived in the United States more than anywhere else globally.
Gornick on V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth and the intimate relationship between emotional damage and great literature.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of LoveAll narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.
Tells the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. This title draws an intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.
"A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same." --
A collection of the year's best essays, selected by award-winning writer Vivian Gornick. Vivian Gornick, renowned essayist and celebrated feminist writer, selects twenty essays out of thousands that represent the best examples of the form published the previous year.