Este autor se dedica principalmente a la historia y la historiografía, y sus primeras experiencias en Gales despertaron tanto su interés por el pasado como un sentimiento de 'otredad'. Como Profesor Regius de Historia Moderna en la Universidad de Cambridge y Profesor Gresham de Retórica, su obra se caracteriza por una profunda comprensión de los procesos históricos y su construcción narrativa. Sus escritos a menudo exploran las formas en que interpretamos y comprendemos la historia, enfatizando cómo moldea nuestro presente. Por lo tanto, el enfoque del autor hacia el pasado no es solo informativo, sino también reflexivo, lo que impulsa a los lectores a considerar la naturaleza del conocimiento histórico.
The final volume in Evans's masterly trilogy on the history of Nazi Germany traces the rise and fall of German military might, the mobilization of a people's community to serve a war of conquest, and Hitler's campaign of racial subjugation and genocide
Before Hitler seized power in 1933, Germany had been famous for its sophistication and complexity. So how was it possible for a group of ideological obsessives to re-mould it into a one-party state directed at war and race hate? This title explores how Hitler turned Germany from a vibrant democracy into a one-party state.
Driven by a deep desire to reclaim her culture and country, the protagonist is determined to fight for independence that was never truly given up. As government peace talks falter, she resolves to take drastic measures, even if it means making the ultimate sacrifice. The narrative explores themes of resilience and the struggle for freedom amidst the backdrop of revolution.
Throughout 1999, the International Tennis Federation is celebrating the centenary of the Davis Cup, the oldest team competition in tennis. In this text, Richard Evans tells the story of the Davis Cup, from its beginning as a match between the United States and Britain, to the late 1990s era.
Highly impressive ... chronicles a turbulent and confusing century with wonderful clarity and verve ... transnational history at its finest ... more complete but also much more fascinating than most histories of the period Gerard Degroot The Times
Set in the enigmatic Mallee region, the narrative unfolds layers of mystery and unexpected revelations. Characters navigate a landscape where appearances can be deceiving, challenging their perceptions and relationships. Themes of identity, truth, and the complexities of rural life are explored, revealing the hidden depths of both the land and its inhabitants. As the story progresses, the interplay between reality and illusion becomes a central focus, inviting readers to question what lies beneath the surface.
Vitriolic in its disgust, malevolent in its humour, dazzling in its invective, Entertainment pushes you places you'd rather not go, where life's more bearable on vodka and whizz, bogs are for shagging other blokes' birds and the pub singer's crap and he's your dad. You don't have to be drunk to be legless (but it helps). An outrageous novel by a young man who does know better. "A cheerful and resilient first novel... Funny, energetic, tender" Time Out Richard John Evans is a journalist on the Wales on Sunday newspaper. He took an MA in Creative Writing at the University of Glamorgan for which he received a distinction. He is currently working on his second novel about urban blight.
Richard Evans' brilliant book unfolds perhaps the single most important story of the 20th century: how a stable and modern country in less than a single lifetime led Europe into moral, physical and cultural ruin and despair.
In ruling against the controversial historian David Irving in his libel suit against the American historian Deborah Lipstadt, last April 2000, the High Court in London labeled him a falsifier of history. No objective historian, declared the judge, would manipulate the documentary record in the way that Irving did. Richard J. Evans, a Cambridge historian and the chief advisor for the defense, uses this pivotal trial as a lens for exploring a range of difficult questions about the nature of the historian's enterprise. For instance, don't all historians in the end bring a subjective agenda to bear on their reading of the evidence? Is it possible that Irving lost his case not because of his biased history but because his agenda was unacceptable? The central issue in the trial -- as for Evans in this book -- was not the past itself, but the way in which historians study the past. In a series of short, sharp chapters, Richard Evans sets David Irving's methods alongside the historical record in order to illuminate the difference between responsible and irresponsible history. The result is a cogent and deeply informed study in the nature of historical interpretation.
A love story about facing the decision of choosing between the love for a child and romantic love.
