Donald Barthelme Libros

This collection showcases the work of a twentieth-century master who transformed the short story genre with his innovative narratives. Each tale reflects his unique style and creativity, offering readers a glimpse into the unforgettable characters and themes that define his literary legacy. The compilation serves as both a tribute to his influence and a comprehensive exploration of his contributions to storytelling, making it essential for fans of the genre.

With these audacious and murderous witty stories, Donald Barthelme threw the preoccupation of our time into the literary equivalent of a Cuisinart and served up a gorgeous salad of American culture, high and low. Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

William H. Gass has written of Donald Barthelme that ?he has permanently enlarged our perception of the possibilities open to short fiction.? In Forty Stories, the companion volume to Sixty Stories , we encounter a dazzling array of subjects: Paul Klee, Goethe, Captain Blood , modern courtship, marriage and divorce, armadillos, and other unique Barthelmean flights of fancy. These pithy, brilliantly acerbic pieces tangle with the ludicrous, pose questions that remain unresolved, and challenge familiar bits of language heretofore unexamined. Forty Stories demonstrates Barthelme?s unrivaled ability to surprise, to stimulate, and to explore.

At age 82, Clifton Fadiman continues his prolific publishing career, here presenting 62 of the world's best short stories from 16 countries. His criteria? "Each story had to be both interesting and of high literary merit." Fadiman fulfills both requirements and much more, offering a cornucopia of superior 20th-century writers that includes Franz Kafka, D. H. Lawrence, Isaac Babel, F. Scott Fitzgerald, William Faulkner, Ernest Hemingway, John Cheever, Sean O'Faolain, Graham Greene, Robert Penn Warren, Colette, John Updike, Donald Barthelme, and James Thurber. (Regrettably, J. D. Salinger is not included due to lack of permission.) Here is a truly remarkable collection of this century's short stories that readers from all over the world will read with delight.

Donald Barthelme is a puckish player with language, a writer of short but endlessly rewarding comic gems, a thinker and an experimenter. In these nine short stories, whether writing about a hairy, donkeyish king or a touching, private gesture of city-sized proportions, his is a surreal, deadpan genius.

An alternative history in fiction form which explores such concepts as the function of myth in history and the role of royalty in the modern world. King Arthur is rediscovered doing battle with the Nazis, and the grail to end all wars appears to be a bomb.

This collection is a companion to the long-established and highly successful Modern Short Stories One and its essential aims are the same: to offer stories of high literary quality which, though written for adults, can be enjoyed and appreciated by adolescents. The fifteen stories included are by distinguished writers from Africa, America, Australia, India, Ireland, Italy and Great Britain; and within their artistic context several of them deal with the special personal and social concerns of society today.The collection includes stories by the likes of Dorothy Parker, Maeve Binchy, Garrison Keillor, Peter Carey, Flannery O'Connor and Nadine Gordimer.

Simon, a middle-aged architect separated from his wife, is given the chance to live out a stereotypical male fantasy: freed from the travails of married life, he ends up living with three nubile lingerie models who use him as a sexual object. Set in the 1980s, there's a further tension between Simon's desire to exploit this stereotypical fantasy and his (as well as the author's) desire to treat the women as human beings, despite the women's claims that Simon can't distinguish between their personalities. Employing a variety of forms, Barthelme gracefully plays with this setup, creating a story that's not just funny—although it's definitely that—but actually quite melancholy, as Simon knows that the women's departure is inevitable, that this "paradise" will come to an end, and that he'll be left with only an empty house, booze, and regrets about chances not taken.

Masterpieces of wit, whimsy and satire… A saint struggling with the greatest of all temptations: daily life. A genius proposes a world inventory of genius to create a better life, but he cannot bear the company. Family life trembles with enough animus to bring down an elephant. A woman leaves her husband and enters the red velvet map of new life.

Inselbücher/Allgemein - Klein-Oktav. Pappband. 126 Seiten

Reprezentativní výbor povídek legendárního amerického experimentátora je splacením jednoho z posledních mnohaletých dluhů, které v českém překladu vůči americké krásné literatuře zůstaly i po roce 1989. Hravé, absurdní až surrealistické krátké příběhy, bránící se veškeré racionalitě, připomínají E. A. Poea, F. Kafku i Woodyho Allena a čtenáře okouzlují zachycením banality i bizarnosti moderního světa, čemuž odpovídají i jeho oblíbené jazykové prostředky - mluva reklam a vše, co doprovází pokleslou (americkou) kulturu a reálie.

Kurzgeschichten

In Donald Barthelmes Roman kämpft König Artus mit seinen Rittern gegen die Nazis, während sie sich philosophischen Fragen der Moral und der Kriegsführung widmen. Trotz moderner Bedrohungen bleibt Artus seinen edlen Prinzipien treu, lehnt die Bombardierung von Zivilisten ab und reflektiert über den Verlust von Ritterlichkeit.

„Statečný román o všem“ nejčtenějšího z postmoderních amerických autorů 70. a 80. let je svéráznou a vtipnou hyperbolou o světě, jak ho viděl Donald Barthelme (1931–1989), zasazenou mimo známý čas i prostor, a přesto každému tak povědomou. Stylem podobným jeho Padesáti povídkám (Argo, 1999) a stylem zcela nezaměnitelným navozuje úvodní situaci románu: „Je to úplně normální noha, až na to, že je sedm metrů vysoká.“ Obrovské tělo se pohybuje krajinou. Patří Mrtvému Otci. Je mrtvý a není mrtvý; mluví, uráží, řídí, žadoní, popichuje, svádí. Je moudrý, je vtipný, je ješitný, je napůl mechanický, je strašlivý ve svém hněvu, a přece bezmocný jako dítě, je… mrtvý? Krajinou nebezpečných Wendů a Velkého Otce Hada jej na provaze táhne procesí devatenácti lidí. Thomas, Julie, Emma, Edmund a další jej opečovávají i urážejí, krmí a usmiřují a také připravují na tajemný cíl své pouti. Jazykem naprosto nespoutaným nás Donald Barthelme provází příběhem, v němž je jasné jen jedno: že není jasné nic.

Auf der Suche nach ihrem Wunschtraum, einer Feuerwehr, gerät Mathilda immer tiefer in ein wundersames chinesisches Haus hinein. Ab 6 J

In this novel, King Arthur is rediscovered - doing battle with the Nazis during the darkest period of World War II. Donald Barthelme is the author of three previous novels and several collections of short stories, notably, "Forty Stories" and "Sixty Stories".

German