Alphonse Daudet Libros

Tartarín de Tarascón, el mitómano y fantasioso Tartarín, usando y aun abusando de los efectos que el espejismo produce en los calenturientos cerebros de los tarasconeses, se ha ganado fama de intrépido aventurero y hasta de audaz vapuleador de bandoleros chinos en Shangai. Pero un día el espejismo deja de funcionar y Tartarín se ve obligado a marchar a tierras argelinas a la caza de leones inexistentes. Las aventuras africanas de Tartarín, con su dosis de humor, ironía e incluso sátira del régimen colonial, mantienen el interés del lector en todo momento, que se encariña con este héroe en zapatillas, una estupenda aleación provenzal de don Quijote y Sancho.

Safo es la historia de unos amores crueles. La vida de un joven diplomático deshecha por la maldad de un criatura de los bajos fondos parisienses. Historia eterna de aquel que ama y no es amado.

The novel follows Jack, a young orphan navigating the challenges of poverty and societal prejudice in 19th-century Paris. Through his coming-of-age journey, Jack encounters diverse characters, learning lessons about resilience, compassion, and friendship. Daudet vividly portrays the social injustices faced by the marginalized, exploring themes of class disparity and the human capacity for kindness. This poignant tale offers a gripping narrative that highlights the enduring strength of the human spirit in overcoming adversity, making it a timeless story for all readers.

As Julian Barnes writes in the introduction to his superb translation of Alphonse Daudet’s La Doulou, the mostly forgotten writer nowadays “ate at the top literary table” during his lifetime (1840–1897). Henry James described him as “the happiest novelist” and “the most charming story-teller” of his day. Yet if Daudet dined in the highest company, he was also “a member of a less enviable nineteenth-century French that of literary syphilitics.” In the Land of Pain —notes toward a book never written—is his timelessly resonant response to the disease.In quick, sharp, unflinching strokes of his pen, Daudet wrote about his symptoms (“This is the one-man-band of pain”) and his treatments (“Mor-phine nights . . . thick black waves, sleepless on the surface of life, the void beneath”); about his fears and reflections (“Pain, you must be everything for me. Let me find in you all those foreign lands you will not let me visit. Be my philosophy, be my science”); his impressions of the patients, himself included, and their strange life at curative baths and spas (“Russians, both men and women, go into the baths naked . . . Alarm among the Southerners”); and about the “clever way in which death cuts us down, but makes it look like just a thinning-out.”Given Barnes’s crystalline translation, these notes comprise a record—at once shattering and lighthearted, haunting and beguiling—of both the banal and the transformative experience of physical suffering, and a testament to the complex resiliency of the human spirit.

This book collects the major works of Alphonse Daudet, one of the most important French writers of the nineteenth century. It includes classic novels such as 'Tartarin of Tarascon', 'The Nabob', and 'Fromont and Risler', as well as a selection of his short stories and plays. The book is introduced and edited by Charles de Kay, who provides valuable context and analysis of Daudet's work. Anyone interested in French literature or the cultural history of the nineteenth century will find this book to be an essential addition to their library.