¿Pero quién es este zurdo que cojea? ¿Y si fuera el mismo Michel Serres? En este libro Michel Serres lleva a cabo el balance del trabajo de toda una vida. A sus 84 años escribe un libro sobre la invención y sobre el ingenio humano.
L'éditeur indique : "The first translation of the volumes in Michel Serres' classic "Humanism" tetralogy, this ambitious philosophical narrative explores what it means to be human. With his characteristic breadth of references including art, poetry, science, philosophy and literature, Serres paints a new picture of what it might mean to live meaningfully in contemporary society. He tells the story of humankind (from the beginning of time to the present moment) in an attempt to affirm his overriding thesis that humans and nature have always been part of the same ongoing and unfolding history. This crucial piece of posthumanist philosophical writing has never before been released in English. A masterful translation by Randolph Burks ensures the poetry and wisdom of Serres writing is preserved and his notion of what humanity is and might be is opened up to new audiences."
World-renowned philosopher, Michel Serres writes a text in praise of the body and movement, in praise of teachers of physical education, coaches, mountain guides, athletes, dancers, mimes, clowns, artisans, and artists. This work describes the variations, the admirable metamorphoses that the body can accomplish. While animals lack such a variety of gestures, postures, and movements, the fluidity of the human body mimics the leisure of living beings and things; what's more, it creates signs. Already here, within its movements and metamorphoses, the mind is born. The five senses are not the only source of knowledge: it emerges, in large part, from the imitations the plasticity of the body allows. In it, with it, by it knowledge begins.
Marginalized by the scientific age the lessons of the senses have been overtaken by the dominance of language and the information revolution. With The Five Senses Serres traces a topology of human perception, writing against the Cartesian tradition and in praise of empiricism, he demonstrates repeatedly, and lyrically, the sterility of systems of knowledge divorced from bodily experience. The fragile empirical world, long resistant to our attempts to contain and catalog it, is disappearing beneath the relentless accumulations of late capitalist society and information technology. Data has replaced sensory pleasure, we are less interested in the taste of a fine wine than in the description on the bottle's label. What are we, and what do we really know, when we have forgotten that our senses can describe a taste more accurately than language ever could? The book won the inaugural Prix Médicis Essai in 1985. The Revelations edition includes an introduction by Steven Connor.
With this profound final work, completed in the days leading up to his death, Michel Serres presents a vivid picture of his thinking about religion--a constant preoccupation since childhood--thereby completing Le Grand Récit, the comprehensive explanation of the world and of humanity to which he devoted the last twenty years of his life. Themes from Serres's earlier writings--energy and information, the role of the media in modern society, the anthropological function of sacrifice, the role of scientific knowledge, the problem of evil--are reinterpreted here in the light of the Old Testament accounts of Isaac and Jonah and a variety of Gospel episodes, including the Three Wise Men of the Epiphany, the Transfiguration, Peter's denying Christ, the Crucifixion, Emmaus, and the Pentecost. Monotheistic religion, Serres argues, resembles mathematical abstraction in its dazzling power to bring together the real and the virtual, the natural and the transcendent; but only in its Christian embodiment is it capable of binding together human beings in such a way that partisan attachments are dissolved and a new era of history, free for once of the lethal repetition of collective violence, can be entered into.
Despite being one of France's most enduring and popular philosophers, Branches is the first English translation of what has been identified as Michel Serres' key text on humanism. In attempting to reconcile humanity and nature, Serres examines how human history 'branches' off from its origin story. Using the metaphor of a branch springing from the stem and arguing that the branch's originality derives its format, Serres identifies dogmatic philosophy as the stem, while philosophy as the branch represents its inventive, shape-shifting, or interdisciplinary elements. In Branches, Serres provides a unique reading of the history of thought and removes the barriers between science, culture, art and religion. His fluency and this fluidity of subject matter combine here to make a book suitable for students of Continental philosophy, post-humanism, the medical humanities and philosophical science, while providing any reader with a wider understanding of the world in which they find themselves.
Influential philosopher Michel Serres's foundational work uses fable to explore how human relations are identical to that of the parasite to the host body. Among Serres's arguments is that by being pests, minor groups can become major players in public dialogue-creating diversity and complexity vital to human life and thought.
According to Michel Serres, a process of 'hominescence' has taken place throughout human history. Hominescence can be described as a type of adolescence; humanity in a state of growing, a state of constant change, on the threshold of something unpredictable. We are destined never to be the same again but what does the future hold? In this innovative and passionately original work of philosophy, Serres describes the future of man as an adolescence, transitioning from childhood to adulthood, or luminescence, when a dark body becomes light. After considering the radical changes that humanity has experienced over the last fifty years, Serres analyzes the new relationship of man has with diverse concepts, like the dead, his own body, agriculture, and new communication networks. He alerts us to the consequences of these changes, particularly on the danger of growing inequalities between rich and poor countries. Should we rejoice in the future, ignore it, or even dread it? Unlike other philosophers who preach doom and gloom, Serres wants us to anticipate the uncertain light of the future.
In this first English translation of Michel Serres' pivotal work, "Statues," the author explores the statue as a dynamic entity foundational to knowledge, society, and human experience. Covering diverse topics from ancient to modern times, Serres provokes new ways of thinking through poetic reflections on death and the relationship between subject and object.
In this reflection on the relation between nature and culture, Michel Serres relates the present environmental catastrophe to pollution generated by humanity's efforts to appropriate.