Paul Strathern Orden de los libros

A sweeping history of the Age of Reason, which shows how, although it was a time of progress in many areas, it was also an era of brutality and intolerance, by the author of The Borgias and The Florentines.[Bokinfo].

An original and compelling history of the northern European medieval renaissance in art, science and philosophy, which rivalled its Italian counterpart, by the author of The Florentines and The Borgias.[Bokinfo].

From the founding of ancient capitals to buzzing modern megacities, this history of ten cities explores how urban centres have led civilisation forward.

A dazzling new history of the world told through the ten major empires of human civilization. Eminent historian Paul Strathern opens the story of Empire with the Akkadian civilization, which ruled over a vast expanse of the region of ancient Mesopotamia, then turns to the immense Roman Empire, where we trace back our Western and Eastern roots. Next the narrative describes how a great deal of Western Classical culture was developed in the Abbasid and Umayyad Caliphates. Then, while Europe was beginning to emerge from a period of cultural stagnation, it almost fell to a whirlwind invasion from the East, at which point we meet the Emperors of the Mongol Empire . . . Combining breathtaking scope with masterful narrative control, Paul Strathern traces these connections across four millennia and sheds new light on these major civilizations—from the Mongol Empire and the Yuan Dynasty to the Aztec and Ottoman Empires, through to the most recent and biggest empires: the British, Russo-Soviet, and American. Charting five thousand years of global history in ten lucid chapters, Empire makes comprehensive and inspiring reading to anyone fascinated by the history of the world.

Between Dante's birth in 1265 and Galileo's death in 1642, a profound transformation reshaped Western civilization's culture. The visual arts—painting, sculpture, and architecture—underwent striking changes, marking an irreversible evolution. Concurrently, humanity's self-conception and thought experienced a significant shift, leading to the emergence of new sciences. These groundbreaking ideas primarily originated in Florence, Tuscany, where a focus on common humanity supplanted other-worldly spirituality, giving rise to humanism. This philosophy spread throughout Italy, maintaining essential elements of its Florentine roots as it reached other parts of Europe. Transformations in human culture have consistently reflected their origins; for instance, the Reformation retained aspects of central and northern Germany, while the Industrial Revolution, despite its expansion beyond Britain, preserved elements of its initial framework. Similarly, the IT revolution, which began in Silicon Valley, remains influenced by its Californian beginnings. Paul Strathern illustrates how Florence and its inhabitants played a pivotal role in the Renaissance, emphasizing the lasting impact of their contributions on the broader cultural landscape.

"The glorious and infamous history of the Borgia family--a world of saints, corrupt popes, and depraved princes and poisoners--set against the golden age of the Italian Renaissance."--Amazon.com

The sensational story of the rise and fall of one of the most notorious families in history, by the author of The Medici.

In ten succinct chapters, Paul Strathern sheds new light on major civilisations, from the military might af the Mongols, who ruled over the largest but most short-lived land empire in history, to the ambitious architecture of the Akkadians. We meet the ruthless leaders of Ancient Rome, discover the imperial dreams of Middle Eastern caliphates and witness the power struggles of twentieth-century America. With insight into the progress of humankind, Rise and fall shows how the story of an empire lies not only in its creation, but also in its downfall.

By the end of the fifteenth century, Florence was well established as the home of the Renaissance. As generous patrons to the likes of Botticelli and Michelangelo, the ruling Medici embodied the progressive humanist spirit of the age, and in Lorenzo de' Medici they possessed a diplomat capable of guarding the militarily weak city in a climate of constantly shifting allegiances. However, in Savonarola, an unprepossessing provincial monk, Lorenzo found his nemesis. Filled with Old Testament fury, Savonarola's sermons reverberated among a disenfranchised population, who preferred medieval Biblical certainties to the philosophical interrogations and intoxicating surface glitter of the Renaissance. The battle between these two men would be a fight to the death, a series of sensational events—invasions, trials by fire, the 'Bonfire of the Vanities', terrible executions and mysterious deaths—featuring a cast of the most important and charismatic Renaissance figures. Was this a simple clash of wills between a benign ruler and religious fanatic? In an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts, and political compromises that made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.

Leonardo da Vinci, Niccolò Machiavelli, and Cesare Borgia—three iconic figures whose intersecting lives provide the basis for this astonishing work of narrative history. They could not have been more different, and they would meet only for a short time in 1502, but the events that transpired when they did would significantly alter each man’s perceptions—and the course of Western history. In 1502, Italy was riven by conflict, with the city of Florence as the ultimate prize. Machiavelli, the consummate political manipulator, attempted to placate the savage Borgia by volunteering Leonardo to be Borgia’s chief military engineer. That autumn, the three men embarked together on a brief, perilous, and fateful journey through the mountains, remote villages, and hill towns of the Italian Romagna—the details of which were revealed in Machiavelli’s frequent dispatches and Leonardo’s meticulous notebooks. Superbly written and thoroughly researched, The Artist, the Philosopher, and the Warrior is a work of narrative genius—whose subject is the nature of genius itself.