Kenzaburó Óe Libros

La primera novela de Kenzaburo Oé narra las proezas de un grupo de jóvenes en Japón. Procedentes de un reformatorio, los adolescentes son evacuados en tiempos de guerra a una remota aldea de montaña, donde son temidos y detestados por sus habitantes. Cuando se desencadena una epidemia, los aldeanos huyen dejando bloqueados a los chicos dentro de la aldea abandonada. Su breve intento de construirse una vida independiente basada en el respeto, la dignidad y el valor tribal se verá condenado al fracaso.

Edited by one of Japan's leading and internationally acclaimed writers, this collection of short stories was compiled to mark the fortieth anniversary of the August 1945 atomic bombings of Hiroshima and Nagasaki. Here some of Japan's best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the "crazy" iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are "The Crazy Iris" by Masuji Ibuse, "Summer Flower" by Tamiki Hara, "The Land of Heart's Desire" by Tamiki Hara, "Human Ashes" by Katsuzo Oda, "Fireflies" by Yoka Ota, "The Colorless Paintings" by Ineko Sata, "The Empty Can" by Kyoko Hayashi, "The House of Hands" by Mitsuharu Inoue, and "The Rite" by Hiroko Takenishi.

These four novels display Oe’s passionate and original vision. Oe was ten when American jeeps first drove into the mountain village where he lived, and his literary work reveals the tension and ambiguity forged by the collapse of values of his childhood on the one hand and the confrontation with American writers on the other. The earliest of his novels included here, Prize Stock, reveals the strange relationship between a Japanese boy and a captured black American pilot in a Japanese village. Teach Us to Outgrow Our Madness tells of the close relationship between an outlandishly fat father and his mentally defective son, Eeyore. Aghwee the Sky Monster is about a young man’s first job — chaperoning a banker’s son who is haunted by the ghost of a baby in a white nightgown. The Day He Himself Shall Wipe My Tears Away is the longest piece in this collection and Oe’s most disturbing work to date. The narrator lies in a hospital bed waiting to die of a liver cancer that he has probably imagined, wearing a pair of underwater goggles covered with dark cellophane.

"Two brothers, Takashi and Mitsu, return from Tokyo to the village of their childhood. Selling their family home leads them to an inescapable confrontation with their family history. Their attempt to escape the influence of the city ends in failure as they realize that its tentacles extend to everything in the countryside, including their own relationship."--Amazon.com

Kenzaburō Ōe, the winner of the 1994 Nobel Prize for Literature, is internationally acclaimed as one of the most important and influential post-World War II writers, known for his powerful accounts of the atomic bombing of Hiroshima and his own struggle to come to terms with a mentally handicapped son. The Swedish Academy lauded Ōe for his "poetic force [that] creates an imagined world where life and myth condense to form a disconcerting picture of the human predicament today." His most personal book, A Personal Matter, is the story of Bird, a frustrated intellectual in a failing marriage whose utopian dream is shattered when his wife gives birth to a brain-damaged child.

Hiroshima Notes is a powerful statement on the Hiroshima bombing and its terrible legacy by the 1994 Nobel laureate for literature. Oe's account of the lives of the many victims of Hiroshima and the valiant efforts of those who cared for them, both immediately after the atomic blast and in the years that follow, reveals the horrific extent of the devastation. It is a heartrending portrait of a ravaged city - the "human face" in the midst of nuclear destruction.

Oe's dark musings on moral failure have come to symbolize an alienated generation in postwar Japan. This novel recounts the exploits of 15 teenage reformatory boys evacuated to a remote mountain village in wartime. When plague breaks out, the villagers flee, leaving the boys blockaded inside the empty village. The boys' brief, doomed attempt to build autonomous lives of self-respect, love, and tribal valor fails in the face of death and the adult nightmare of war.

Kenzaburo Oe is one of the world's finest writers, and in Rouse Up O Young Men of the New Age! he delivers a virtuoso novel of extraordinary power, touching on his familiar themes of family, responsibility, the nature of literary inspiration, and the unique nature of parenting a disabled child.

Late in his life, writer Kogito Choko reconnects with his estranged friend, the filmmaker Goro Hanawa. Goro's subsequent suicide causes Kogito to examine and reexamine Goro's life for clues that will lead him to understand his friend's path.

A Quiet Life is an uncanny blend of the real with the imagined, of memoir with fiction. A Quiet Life is narrated by Ma-chan, a twenty-year-old woman. Her father is a famous and fascinating novelist; her older brother, though severely brain damaged, possesses an almost magical gift for musical composition; and her mother's life is devoted to the care of them both. Ma-chan and her younger brother find themselves emotionally on the outside of this oddly constructed nuclear family. But when her father accepts a visiting professorship from an American university, Ma-chan finds herself suddenly the head of the household and at the center of family relationships that she must begin to redefine.