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Hans Urs von Balthasar

    12 de agosto de 1905 – 26 de junio de 1988

    Hans Urs von Balthasar fue un teólogo y sacerdote suizo, reconocido como uno de los pensadores más importantes del siglo XX. Su obra teológica se caracteriza por un enfoque ecléctico, que se nutre de diversas fuentes y corrientes intelectuales. Balthasar ofreció una respuesta intelectual y fiel al modernismo occidental, con el objetivo de desafiar las sensibilidades contemporáneas a través del pensamiento cristiano. Su teoría dramática teológica y sus profundos análisis han dejado una influencia duradera en el discurso teológico posterior.

    Hans Urs von Balthasar
    The Glory of the Lord: A Theological Aesthetics Volume 1
    Theo-logic 1
    ¿Por qué me hice sacerdote?
    Teresa de Lisieux
    Sponsa verbi
    Sólo el amor es digno de fe
    • Un santo únicamente puede comprenderse desde la teología, es decir, en función de su vocación y de su misión. Las confesiones de santa Teresa de Lisieux constituyen una auténtica teología del infinito amor de Dios y la absoluta obediencia de la criatura.

      Teresa de Lisieux
    • Theo-Logic is the third and crowning part of the great trilogy of the masterwork of theologian Hans Urs von Balthasar, following his first two parts, The Glory of the Lord and Theo-Drama. This is the third volume of Theo-Logic. Theo-Logic is a variation of theology, it being about not so much what man says about God, but what God speaks about himself. Balthasar does not address the truth about God until he first reflects on the beauty of God (The Glory of the Lord). Then he follows with his reflections on the great drama of our salvation and the goodness and mercy of the God who saves us (Theo-Drama). Now, in this work, he is ready to reflect on the truth that God reveals about himself, which is not something abstract or theoretical, but rather the concrete and mysterious richness of God's being as a personal and loving God.

      Theo-logic 1
    • The work opens with a critical review of developments in Protestant and Catholic Theology since the Reformation which have led to the steady neglect of aesthetics in Christian theology. From here, von Balthasar turns to the central theme of the volume: the question of theological knowledge. He re-examines the nature of Christian believing (here he quickly draws widely on such theological figures as Anselm, Pascal and Newman) which gives due place to the particular kind of 'knowing' which develops within the personal relationship to the believer to the God mediated through the revelation-form of Jesus Christ

      The Glory of the Lord: A Theological Aesthetics Volume 1
    • Theo-Logic is the third and crowning part of the great trilogy of the masterwork of theologian Hans Urs von Balthasar, following his first two parts, The Glory of the Lord and Theo-Drama. This is the third volume of Theo-Logic. Theo-Logic is a variation of theology, it being about not so much what man says about God, but what God speaks about himself. Balthasar does not address the truth about God until he first reflects on the beauty of God (The Glory of the Lord). Then he follows with his reflections on the great drama of our salvation and the goodness and mercy of the God who saves us (Theo-Drama). Now, in this work, he is ready to reflect on the truth that God reveals about himself, which is not something abstract or theoretical, but rather the concrete and mysterious richness of God's being as a personal and loving God.

      Theo-Logic: Theological Logical Theory Volume 3
    • This is perhaps the best and most comprehensive book on prayer ever written. From the persons of the Trinity through the Incarnation to the Church and the very structure of the human person, this book is a powerful synthesis of what prayer is and how to pray. The testament of a great theologian on something which is most personal and interior, contemplative prayer.

      Prayer
    • Bernanos: an ecclesial existence

      • 617 páginas
      • 22 horas de lectura

      This book is a it combines the genius of the towering theologian Hans Urs von Balthasar and his ability to make his subject come alive before the reader, along with the focus of that genius on someone with the spiritual depth and creative stature of Georges Bernanos, considered by many to be the greatest Catholic creative writer of the twentieth century. The goal of this book is to simply convey what Bernanos wanted to say as the devout Christian that he was. Bernanos was a deeply prayerful, practicing sacramental Catholic whose profound love for the Church made everything he created or wrote an "ecclesial existence that has been given existence derived not merely from an abstract, individual faith but from the faith of the Church." With judicious quoting of the primary source and careful juxtaposing of texts and commentary, Balthasar provides a unique forum from which Bernanos can speak to the reader in a way that he can be clearly heard and genuinely understood.

      Bernanos: an ecclesial existence