Jasunari Kawabata Libros

Impulsado por la nostalgia, Oki Toshio, un escritor casado, decide viajar a Kioto para oír las campanas del templo en el Año Nuevo. Pero además quiere ver a Otoko, antigua amante a la que había humillado. Todavía hermosa, Otoko, ahora pintora, vive con su protegida Keiko, una joven amoral, sensual y apasionada de apenas veinte años. Y lo que comienza como un reencuentro sentimental entre el maduro Oki y la discreta Otoko se convertirá. Por voluntad de Keiko, decidida a vengar a su mentora, en un cruel drama de amor y destrucción.

Chieko es la hija de Takichiro Sada, un prestigioso diseñador de kimonos. Desde pequeña ha creído que una geisha la abandonó siendo una recién nacida, pero al cumplir veinte años, por azar, descubre la verdad: sus padres adoptivos, ansiosos por tener un bebé, la hallaron sola bajo unos cerezos…y se la llevaron. El amor que siente por ellos colma su corazón de tal modo que nunca ha tenido deseos de buscar a sus verdaderos progenitores, pero ahora la situación ha cambiado de forma inesperada, y Chieko deberá encontrar su propia identidad y su lugar en el mundo. Con el trasfondo de la ciudad de Kioto, la antigua capital de Japón, Yasunari Kawabata describe en esta sublime y delicada novela la transmisión de la belleza y la tradición de una generación a la siguiente, y confronta las consecuencias de la posguerra japonesa con una ambivalente mezcla de fascinación y resentimiento. Una novela inolvidable de un Premio Nobel polémico, controvertido y genial.

El viejo Eguchi, un solitario anciano, llega a una posada. En ella los hombres mayores pagan para dormir con bellaa jóvenes, adormecidas de antemano y sin tocarlas. La finalidad es revivir los recuerdos que puede producir la juventud tan cercana. Y es así como el anciano Eguchi, sin saberlo, empieza a recordar a una mujer de su juventud y el romance que vivieron durante su huida amorosa. «Es una obra maestra esotérica, es la obra máxima de Kawabata y una de las creaciones más valiosas de la literatura japonesa» —Yukio Mishima. «Breve, bella y profunda, deja en el ánimo del lector la sensación de una metáfora cuyos términos no son fáciles de desentrañar» —Mario Vargas Llosa.

In 1930, Yasunari published this second collection of very short stories (which he himself defined as "in the palm of the hand") four years after "Suggestions and Artifices." The author gathers his narrative material "almost without needing to live," simply noting what moves around him, with a detached gaze that is also seduced by the flow of life, a gaze that does not violate but gives images: the gaze of poetry. Everyday life and the life of the universe are fragmented, event by event, emotion by emotion, using tools that, following ancient Japanese paths, reach the most current narrative trends.

These stories by the 1968 Nobel laureate, some translated into German for the first time, showcase Kawabata's modernity and his unique Japanese sensualism and eroticism, influenced by Joyce and Proust. They exemplify subtle psychology and highlight Kawabata at the peak of his narrative mastery.

Winner of the Nobel Prize in Literature in 1968, Yasunari Kawabata is perhaps best known in the United States for his deeply incisive, marvelously lyrical novel "Snow Country," But according to Kawabata himself, the essence of his art was to be found in a series of short stories-which he called "Palm-of-the-Hand Stories"-written over the entire span of his career. He began experimenting with the form in 1923 and returned to it often. In fact, his final work was a "palm-sized" reduction of "Snow Country," written not long before his suicide in 1972. Dreamlike, intensely atmospheric, at times autobiographical and at others fantastical, these stories reflect Kawabata's abiding interest in the miniature, the wisp of plot reduced to the essential. In them we find loneliness, love, the passage of time, and death. "Palm-of-the-Hand Stories" captures the astonishing range and complexity of one of the century's greatest literary talents.

Exploring the complexities of love and identity, this collection features nine poignant stories and a brief play by Japan's first Nobel laureate. Kawabata's clear narrative style reveals the struggles of suburban lovers who grapple with self-knowledge and emotional connection. Noteworthy tales include "Silence," a Kafkaesque reflection on an elderly novelist's isolation, and the title story, where a separated couple confronts their lost past. This beautifully spare work delves into themes of art, loss, and the passage of time, showcasing Kawabata's mastery.

Librarian's note: An alternate cover of this ISBN can be found here.From the Nobel Prize-winning writer and acclaimed author of Snow Country comes a beautiful rendering of the predicament of old age—about an elderly Tokyo businessman who must face the failures of his memory and the sudden upsurges of passion that illuminate the end of a life.“A rich, complicated novel…. Of all modern Japanese fiction, Kawabata’s is the closest to poetry.” —The New York Times Book ReviewBy day Ogata Shingo, an elderly Tokyo businessman, is troubled by small failures of memory. At night he associates the distant rumble he hears from the nearby mountain with the sounds of death. In between are the complex relationships that were once the foundations of Shingo’s life: his trying wife; his philandering son; and his beautiful daughter-in-law, who inspires in him both pity and the stirrings of desire. Out of this translucent web of attachments, Kawabata has crafted a novel that is a powerful, serenely observed meditation on the relentless march of time.Translated from the Japanese by Edward G. Seidensticker

From the Nobel Prize-winning author and acclaimed writer of Thousand Cranes comes the luminous chronicle of a match of the Japanese game Go played between a master and a younger, more modern challenger that serves as a suspenseful elegy for an entire society.Go is a game of strategy in which two players attempt to surround each other’s black or white stones. Simple in its fundamentals, infinitely complex in its execution, Go is an essential expression of the Japanese spirit. And in his fictional chronicle of a match played between a revered and heretofore invincible Master and a younger, more modern challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century.The competition between the Master of Go and his opponent, Otaké, is waged over several months and layered in ceremony. But beneath the game’s decorum lie tensions that consume not only the players themselves but their families and retainers—tensions that turn this particular contest into a duel that can only end in death. Luminous in its detail, both suspenseful and serene, The Master of Go is written with the poetic economy and psychological acumen that brought Kawabata the Nobel Prize for Literature.

Exploring the depths of human emotion, this newly translated collection features twenty-three stories from Yasunari Kawabata, a pivotal figure in modern Japanese literature. His "palm-of-the-hand" stories showcase a unique blend of poetic devices and vivid imagery, revealing the profound feelings beneath everyday life. Written between 1923 and 1929, these narratives draw on autobiographical themes and reflect the author's early life struggles with loss and melancholy, highlighting his remarkable perception and innovative storytelling style.

Thousand Cranes is a story of love given and love withheld. Set against the backdrop of Japan's traditional tea ceremony, it is a taut, highly dramatic novel gleaming with sudden passages of poetic beauty. In one of the book's strongest scenes, the two characters are symbolized by the two fine old China bowls, one female and one male, that sit before them. The novel opens with Kikuji on his way to a tea ceremony given by Chikako, one of his father's former mistresses. He is also on his way to act out the unfinished drama of his father's life. Kikuji's father had been a cultivated man, an art lover and a pleasure seeker. He had cast off one mistress, Chikako, but had loved another, Mrs Ota, until his death. Kikuji, like his father, tries to escape from Chikako, now masculine and meddlesome. Like his father, too, he is drawn to Mrs Ota, who has remained young, alluring and pliant even though her daughter, Fumiko, is only twenty years old. Kikuji's guilty passion for Mrs Ota and Fumiko's efforts to alter the family fate lead to the novel's stunning climax.

The Lake is the history of an obsession. It traces a man's sad pursuit of an unattainable perfection, a beauty out of reach, admired from a distance, unconsummated. Homeless, a fugitive from an ambiguous crime, his is an incurable longing that drives him to shadow nameless women in the street and hide in ditches as they pass above him, beautiful and aloof. For their beauty is not of this world, but of a dream--the voice of a girl he meets in a Turkish bath is "an angel's," the figures of two students he follows seem to "glide over the green grass that hid their knees." Reality is the durable ugliness that is his constant companion and is symbolized in the grotesque deformity of the hero's feet. And it is the irreconcilable nature of these worlds that explains the strangely dehumanized, shadowy quality of the eroticism that pervades this novel. In a sense The Lake is a formless novel, a "happening," making it one of the most modern of all Kawabata's works. Just as the hero's interest might be caught by some passing stranger, so the course of the novel swerves abruptly from present to past, memory shades into hallucination, dreams break suddenly into daylight. It is an extraordinary performance of free association, made all the more astonishing for the skill with which these fragments are resolved within the completed tapestry.

Nobel Prize-winner Yasunari Kawabata's Snow Country is widely considered to be the writer's masterpiece, a powerful tale of wasted love set amid the desolate beauty of western Japan. At an isolated mountain hot spring, with snow blanketing every surface, Shimamura, a wealthy dilettante meets Komako, a lowly geisha. She gives herself to him fully and without remorse, despite knowing that their passion cannot last and that the affair can have only one outcome. In chronicling the course of this doomed romance, Kawabata has created a story for the ages, a stunning novel dense in implication and exalting in its sadness.

Available in English for the very first time, a powerful, poignant novel about three half sisters in post-war Japan, from the Nobel Prize-winning author of Snow Country. With the Second World War only a few years in the past, and Japan still reeling from its effects, two sisters—born to the same father but different mothers—struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time. While Momoko, their father’s first child—haunted by the loss of her kamikaze boyfriend and their final, disturbing days together—seeks comfort in a series of unhealthy romances. And both sisters find themselves unable to outrun the legacies of their late mothers. A thoughtful, probing novel about the enduring traumas of war, the unbreakable bonds of family, and the inescapability of the past, The Rainbow is a searing, melancholy work from one of Japan’s greatest writers. A VINTAGE ORIGINAL.

The exquisite last novel from Nobel Prize-winning author Yasunari Kawabata Ineko has lost the ability to see things. At first it was a ping-pong ball, then it was her fiancé. The doctors call it 'body blindness', and she is placed in a psychiatric clinic to recover. As Ineko's mother and fiancé walk along the riverbank after visiting time, they wonder: is her condition a form of madness - or an expression of love? Exploring the distance between us, and what we say without words, Kawabata's transcendent final novel is the last word from a master of Japanese literature. 'Lusciously peculiar' Paris Review

Souborné vydání Kawabatových próz: Tanečnice z Izu, Sněhová země (přel. V. Hilská), Meidžin, Deník šestnáctiletého, Povídky na dlaň (Letní střevíčky, Díky, Modlitba panen, Případ mrtvé tváře), Hiroko odchází, Město Jumiura (přel. M. Novák) a Odraz měsíce na vodě. Z japonských originálů vybrala a přeložila Vlasta Winkelhöferová.

Poëtische Novelle über einen Studenten, der die Tänzerin eines reisenden Theaterensembles begehrt.

Sammlung von Erzählungen von Yasunari Kawabata (1899-1972), Nobelpreisträger für Literatur 1968. Inhalt Tagebuch eines Jungen Seine zweite Ehe Die Tänzerinnen Die Geschichte des Strohhuts Vor dem Winter

Handtellergeschichten sind kurze, witzige und expressionistische Erzählungen von Yasunari Kawabata, die alltägliche Begebenheiten und Traumbilder enthalten. Sie eröffnen den Horizont auf ein ganzes Leben und sind das Herzstück seines Schaffens. Kawabata ist ein bekannter japanischer Schriftsteller und Nobelpreisträger.

Leurs yeux se cherchA]rent et au moment oA leurs regards allaient se fondre, les bras de l'homme l'attirA]rent vers lui et il posa son visage sur la jeune femme. - ImbA(c)cile ! dit Yumiko en repoussant la bouche de l'homme de la paume de sa main droite. Les dents n'A(c)taient-elles pas teintA(c)es par le poison des pilules que Yumiko lui avait enfoncA(c)es dans la bouche ? Elles avaient fondu en libA(c)rant le liquide. - DA(c)cidA(c)ment, tu n'es qu'un imbA(c)cile ! Akagi blAamit soudain et s'effondra. Yasunari Kawabata.Chronique d'Asakusa, ou la banale histoire de Yumiko, une jeune femme qui voulait croire aux merveilles de l'amour dans le Tokyo des annA(c)es 30. Texte intA(c)gral

4 japonské novely – Snežná krajina, Tisíc žeriavov, Hlas hory, Spiace krásavice. Príroda, pôvab ženy, kult čajového obradu, melancholické návraty do minulosti a snov, životný pocit presiaknutý úvahami o smrti a o jej prekonávaní, o krehkosti ľudských vzťahov – to je okruh tém, ktoréspájajú Kawabatove novely.

Hlavním hrdinou milostného příběhu z poválečného Tokia je student medicíny, jehož život ovlivňují tři dívky.