From the step roadways of New England and the Mid-Atlantic States, to the scenic Blue Ridge Mountains of the Southeast and the high altitude assaults of the Mountain West, the most difficult climbs are all included in these pages.
John Summerson Libros






Brilliantly written essays on the aesthetic principles and enduring motives of architecture.
The Classical Language of Architecture
- 144 páginas
- 6 horas de lectura
A revised and updated edition of Sir John Summerson's classic book. Derived from the principles of Greek and Roman architecture in antiquity, the classical style has long dominated the history of western architecture from the Renaissance to the present. Sir John Summerson's timeless text, as relevant today as it was when first published, distils the visual language of architecture into its core classical elements, and illustrates that building throughout the ages express an awareness of the 'grammar' of style and its rules even if they vary, break or poetically contradict them. From the original edifices of Greece and Rome to the recapitulations and innovations of the Renaissance; the explosive rhetoric of the Baroque to the grave statements of Neo-classicism; and finally, the exuberant eclecticism of the Victorians and Edwardians to the 'stripped Neo-classicism' of some of the moderns; Summerson explains how every period has employed classical language to make their statement. With a new introduction by academic and architectural historian Alan Powers, this introduction continues to be one of the defining texts on the subject and is essential reading for all students of architecture.
The author charts the development of architectural theory and practice from Elizabeth I to George IV. Questions of style, technology, and the social framework are resolved as separable but always essential components of the building worlds.
"A guide to cycling climbing and the most difficult hill climbs in Colorado."
Between 1714 and 1830, squares, stucco and brick terraces, churches, parks and thoroughfares transformed the appearance of London. The author paints a picture of the architect's aims, the technical innovations and the social and political background which determined the character of these changes.