Gisela Stege Libros

Helen West ist überzeugt, daß die Frau des Apothekers ermordet wurde – auch wenn die bei der Obduktion gefundene Dosis Chloroform nicht tödlich gewesen sein kann. Und sie ist sicher, daß der Ehemann der Toten lügt. Mit ihrer Hartnäckigkeit handelt sich Helen allerdings eine Menge Ärger ein. Denn nicht nur ihr Chef ist gegen eine weitere Untersuchung des Falls, sondern auch ihre inzwischen feste Beziehung, Superintendent Bailey ...

As Norma Jeane Baker, who would later become Marilyn Monroe, began her career as a modest photographic model in the summer of 1945, one of the most passionate love stories unfolded: Marilyn Monroe's lifelong and unparalleled affair with the photographic camera. Over a whirlwind of seventeen years, Marilyn rose from pin-up model and starlet to megastar. Her early and tragic death elevated her to mythic status. This volume reflects that journey, gathering 152 of the most beautiful photographs of Marilyn Monroe taken by nearly forty photographers from 1945 to 1962. In addition to detailed captions for each image, the book includes an interview conducted by French writer, journalist, and translator Georges Belmont with Marilyn in 1960.

Set in the 21st century - a number of decades from now - The Sparrow is the story of a charismatic Jesuit priest and talented linguist, Emilio Sandoz, who - in response to a remarkable radio signal from the depths of space - leads a scientific mission to make first contact with an extraterrestrial culture.In the true tradition of Jesuit adventurers before him, Sandoz and his companions are prepared to endure isolation, suffering - even death - but nothing can prepare them for the civilisation they encounter. Or for the tragic misunderstanding that brings the mission to a devastating end. Once considered a living saint, Sandoz returns alone to Earth horrifically maimed, both physically and spiritually, the mission's sole survivor - only to be blamed for the mission's failure and accused of heinous crimes.

A westerner raised in Japan, he survived the destruction of Hiroshima to emerge as the world's most artful lover and its most accomplished assassin. His greatest desire is to attain a state of effortless perfection . . . shibumi. But he is about to face his most sinister and corrupt enemy -- a supermonolith of espionage and monopoly bent on destroying him. . . . From the Paperback edition.

EDUCATION: none.SKILLS: none. MERITS: none.RECOMMENDATIONS: none.Such is the official verdict on Gully Foyle, unskilled space crewman. But Gully has managed to survive for 170 days in the airless purgatory of deep space after the wreck of his ship, and has escaped to Earth carrying a murderous grudge and a secret that could change the course of history.

Michael Corleone is returning to the U.S. after exile in Sicily. He is ordered to bring the Sicilian bandit, Salvatore Guiliano, unofficial ruler of northwestern Sicily. In his fight, the young folk hero has made both the police and the Mafia his enemies. When chief of the Mafia and the police, offer Corleone to find the elusive Robin Hood, betrayal seems inevitable.

Haroun's father is the greatest of all storyletters. His magical stories bring laughter to the sad city of Alifbay. But one day something goes wrong and his father runs out of stories to tell. Haroun is determined to return the storyteller's gift to his father. So he flies off on the back of the Hoopie bird to the Sea of Stories - and a fantastic adventure begins.

El libro Oriente, Occidente es una rareza en la obra de Salman Rushdie: aunque el autor es conocido principalmente por sus extensas novelas, en 1994 publicó una colección de relatos cortos. En estos textos magistralmente escritos, divididos en tres secciones, observa con distancia y de cerca dos mundos que forman parte de su identidad: la civilización oriental y la occidental. Desde la perspectiva de un marginado o nómada, que aparentemente no pertenece a ningún lugar, sigue su historia compartida y los malentendidos cómicos y trágicos que los unen. En los relatos, que demuestran la extraordinaria amplitud del talento de Rushdie, el autor —al igual que sus personajes— se deja atraer con conmovedora ternura alternativamente hacia uno y otro lado, pero finalmente se aferra obstinadamente a su dualidad y, a pesar de todo, se niega a elegir entre Oriente y Occidente. Este enfoque lo expresó de manera más adecuada al afirmar que "la parte más importante del título Oriente, Occidente es la coma. Me parece que esa coma soy yo".