Joseph Bristow Libros

Joven agraciado y bellísimo, dotado de «toda la pasión del espíritu romántico y toda la perfección de lo griego», Dorian Gray es, cuando lo retrata el distinguido pintor Basil Hallward, la encarnación de la armonía vital incorrupta. Sin embargo, inevitablemente, las pasiones, la maldad, el impetuoso torrente de la vida, irrumpen en su existencia. Para su asombro, Gray descubre que es su retrato quien va asumiendo su deterioro físico y moral, protegiendo, en apariencia, su inmaculada imagen. Publicada en 1890, “El retrato de Dorian Gray” supuso el salto a la fama y la popularidad de Oscar Wilde (1854-1900), quien bajo el disfraz de una historia de atracción irresistible, desarrolla a la vez una fábula en torno al ser y la apariencia, la realidad y la imagen, la vida y el arte. Traducción de José Luis López Muñoz

The book offers a comprehensive and authoritative account of Oscar Wilde's two trials, drawing from diverse sources such as official and private letters, newspaper reports, and incomplete transcripts. It highlights the trials' significant impact on legal and cultural history, presenting an in-depth analysis that sheds new light on this pivotal moment.

Originally published in 1991. Focusing on ¿boys' own¿ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ¿Englishness¿. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.