Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.
The story revolves around Senhor da Silva Araújo, a seemingly upright businessman in Cape Verde known for his success and strict adherence to propriety. However, his lengthy Last Will and Testament reveals a complex life filled with self-deception, unfulfilled desires, and hidden truths, including shady dealings and an illegitimate child. As the will is read, the perception of Araújo shifts from a self-important figure to a deeply human and tragic character, navigating the fine line between farce and tragedy in a richly woven narrative.