Paul R. Paul Robert Wilson Libros

As writer, dissident, and statesman, Havel played an essential part in the changes that occurred in Central Europe during the last decades of the twentieth century, and became a powerful intellectual and political force for the reestablishment of democratic principles and institutions. Now, in this memoir, he recollects the pivotal experiences and ideas of his remarkable life. Known in his native Prague for his theatrical productions, and imprisoned for his anticommunist views, Havel emerged on the international stage in 1989 as the elected president of Czechoslovakia. He writes with eloquence and candor about his transition from playwright to politician, and the surreal challenges of governing a young democracy. But the scope of his writing extends far beyond the circumstances he faced in his own country. He shares his thoughts on the future of the EU, the reach of the American superpower, and the role of national identity in today's world.--From publisher description.

Terezín survivor George (Jirí) Brady reflects on the efforts of the Nazi-imposed Terezín "self-administration" to aid imprisoned children. He recalls being among a group of boys led by Valtr Eisinger, who transformed their overcrowded living space into a vibrant world, fostering hidden talents and creativity. Between 1942 and 1944, a group of thirteen- to fifteen-year-old Jewish boys secretly produced a weekly magazine called Vedem (In the Lead) at Terezín. The boys, who called their cellblock the "Republic of Shkid," wrote, illustrated, and hand-copied issues behind blackout shades. Although the material was preserved by one of the few survivors of the Holocaust, it remained suppressed in Czechoslovakia for fifty years until its publication in 1995 in English, Czech, and German. Vedem offers a poignant insight into the lives of boys who were forcibly removed from their childhoods and families, ultimately facing the horrors of the Nazi regime. This edition features a new preface and epilogue, enriching the historical context of their experiences and the significance of their creative expressions amidst unimaginable adversity.

Spanning twenty-five years, this historic collection of writings shows Vaclav Havel's evolution from a modestly known playwright who had the courage to advise and criticize Czechoslovakia's leaders to a newly elected president whose first address to his fellow citizens begins, "I assume you did not propose me for this office so that I, too, would lie to you." Some of the pieces in Open Letters, such as "Dear Dr. Husak" and the essay "The Power of the Powerless," are by now almost legendary for their influence on a generation of Eastern European dissidents; others, such as some of Havel's prison correspondence and his private letter to Alexander Dubcek, appear in English for the first time. All of them bear the unmistakable imprint of Havel's intellectual rigor, moral conviction, and unassuming eloquence, while standing as important additions to the world's literature of conscience.

There is no shortage of politicians who make a habit of shooting from the hip, but it is much rarer to find one who speaks from the heart. Vaclav Havel knows no other way to speak, or to write. Both as a dissident and as a playwright it was his sworn purpose for many years to combat evil with nothing but truth. As president of Czechoslovakia, and now of the Czech Republic, he has clung to that habit, refusing to turn over either his conscience or his voice to political handlers and professional speech-writers. Instead he assumes the additional burden - for him, it is a distinct pleasure - of composing all of his oratory. This volume consists of thirty-five of these essays, written between the years 1990 and 1996, that manage to be both profoundly personal and profoundly political. Havel writes of totalitarianism, its miseries and the nonetheless difficult emergence from it. He describes how his country and the other post-communist countries are learning democracy from scratch and are encountering obstacles from inside and out. He marvels at the single technology-driven civilization that envelops the globe, and the challenges this presents to multicultural realities. And he reminds us that - contrary to all appearances - common sense, moderation, responsibility, good taste, feeling, instinct, and conscience are not alien to politics, but are the very key to its long-term success.

Hrabal nos narra la historia de un joven checo que entra a trabajar como camarero en un prestigioso hotel de la Checoslovaquia republicana, y sigue a modo de hilo autobiográfico las andanzas de este jovenzuelo para abrirse camino hasta hacerse millonario.

To celebrate the last night of a business trip in Moscow, Canadian resident Vesselin Nedkov and a friend picked up two tickets to the hottest musical in town. Halfway through the show, his life was changed forever. 57 Hours is Nedkov's harrowing account of being trapped between two immovable and unpredictable forces: inside the theatre, suicidal Chechen rebels, loaded with explosives, demanded an end to the bloody civil war that was ravaging Chechnya; outside, Russian special forces prepared to storm the theatre, refusing to negotiate with the rebels. Through fifty-seven hours of fear and fatigue, Nedkov discovered courage and ingenuity he never knew he had. Here he takes us into the maelstrom of the civil war that still plagues Russia.

Vaclav Havel is one of the most important European writers of our time. In 1979 he was sentenced to four and a half years of hard labour for his involvement in the Czech human rights movement, Charter 77. In prison he was allowed to write to his wife, Olga, once a week. He used the opportunity for profound reflections, on theatre, society and philosophy. These letters form a remarkable document, and a work of lasting value.'From Havel, we learn that the true heroes of our time are those who stay the course.' Bruce Chatwin