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Harold Pinter

    10 de octubre de 1930 – 24 de diciembre de 2008

    Harold Pinter se erige como uno de los dramaturgos más influyentes de los tiempos modernos. Sus obras se distinguen por pausas y silencios teatrales, un tempo cómico, ironía y amenaza. Los dramas de Pinter a menudo presentan intensos conflictos entre personajes ambiguos que compiten por la dominación verbal y territorial, así como por sus propias versiones del pasado. Sus obras, temáticamente ambiguas, profundizan en complejas cuestiones de la identidad individual oprimida por las fuerzas sociales, el lenguaje y las vicisitudes de la memoria.

    Harold Pinter
    Various Voices
    Betrayal
    Harold Pinter Plays 2
    Pinter Plays. 3
    Plays. Vol.4. Betrayal; Monologue; One for the Road; Mountain Language; Family Voices; A Kind of Alaska; Victoria Station; Precisely; The New World Order; Party Time; Moonlight; Ashes to Ashes
    Plays: One
    • Plays: One

      • 336 páginas
      • 12 horas de lectura

      This volume contains Harold Pinter's first six plays, including The Birthday Party. The Birthday Party Stanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare. 'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday Times The Room and The Dumb Waiter In these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character. 'Harold Pinter is the most original writer to have emerged from the new wave of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' The Times The Hothouse The Hothouse was first produced in 1980, though Harold Pinter wrote the play in 1958, just before commencing work on The Caretaker. In this compelling study of bureaucratic power, we can see the full emergence of a great and original dramatic talent. 'The Hothouse is at once sinister and hilarious, suggesting an unholy alliance of Kafka and Feydeau.' Spectator

      Plays: One
    • The second volume of Harold Pinter's collected work includes The Caretaker. The CaretakerIt was with this play that Harold Pinter had his first major success.

      Harold Pinter Plays 2
    • Betrayal is Pinter's latest full-length play since the enormous success of No Man's Land. The play begins in 1977, with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time, through the states of their affair, with the play ending in the house of Emma and Robert, her husband, who is Jerry's best friend.The classic dramatic scenario of the love triangle is manifest in a mediation on the themes of marital infidelity, duplicity, and self-deception. Pinter writes a world that simultaneously glorifies and debases love.

      Betrayal
    • Various Voices

      • 224 páginas
      • 8 horas de lectura

      Although best known for his plays, Harold Pinter has also written an extensive and wide-ranging body of other work since 1948; prose, prose fiction, poetry and political writings. In this anthology Pinter presents his own selection, among which are A Note on Shakespeare (1950), a paean to the cricketer Len Hutton (1969), the short stories Kullus (1949) and Girls (1995), the poetry from School Life (1948), and political pieces - including many letters to the press - on the United States, Cuba, Kurdistan and Nicaragua.

      Various Voices
    • The Birthday Party, and The Room

      • 120 páginas
      • 5 horas de lectura

      In "The Birthday Party", a musician becomes the victim of a ritual murder. Everyone implacably plays out the role assigned to them by fate. "The Room" becomes the scene of a visitation of fate when a blind Negro suddenly arrives to deliver a mysterious message.

      The Birthday Party, and The Room
    • Do Hirst and Spooner really know each other, or are they performing an elaborate charade? The ambiguity - and the comedy - intensify with the arrival of Briggs and Foster. All four inhabit a no-man's-land between time present and time remembered, between reality and imagination.

      No Man's Land