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Andrew Osmond

    Andrew Osmond fue escritor y periodista de profesión, y uno de los miembros fundadores de la revista Private Eye. Su trayectoria incluyó también el servicio como oficial de los Gurkhas y como diplomático. Coescribió cuatro libros con Douglas Hurd, demostrando una aguda perspicacia en las dinámicas políticas y sociales. Sus escritos se caracterizan por una observación aguda y una perspectiva distintiva.

    Eine demanzipierte Frau
    Bericht über den Versuch, den englischen könig zu beseitigen
    Spirited Away
    The Art of Pacific Rim: The Black
    100 Animated Feature Films
    Sala Dín
    • A new edition of an essential guide to 100 of world cinema's most interesting and important animated films from across the history of cinema.

      100 Animated Feature Films
    • Official art book of Seasons 1 and 2 of the anime series Pacific Rim: The Black, featuring concept art created during the development of the series.

      The Art of Pacific Rim: The Black
    • Spirited Away

      • 128 páginas
      • 5 horas de lectura

      Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea. Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film's delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan. Osmond unpacks the film's visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki's prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world. This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro's Pan's Labyrinth to Pixar's Inside Out.

      Spirited Away