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Susan Howe

    La obra de Susan Howe profundiza en la intrincada interacción del lenguaje, la historia y la espiritualidad, explorando a menudo los rincones pasados por alto de la tradición literaria estadounidense. Es célebre por su enfoque experimental de la forma, tejiendo poesía, ensayo y fragmentos históricos para desenterrar voces silenciadas. La escritura de Howe desafía las narrativas convencionales, incitando a los lectores a reconsiderar cómo se construye el pasado y cómo resuena en el presente. Su perspectiva única ofrece una profunda meditación sobre el poder perdurable del lenguaje y la memoria.

    Concordance
    My Emily Dickinson
    Spontaneous Particulars
    • Spontaneous Particulars

      • 80 páginas
      • 3 horas de lectura

      Originally a cloth coedition with the Christine Burgin Gallery, this rapturous hymn to discoveries and archives is now a paperback

      Spontaneous Particulars
    • My Emily Dickinson

      • 160 páginas
      • 6 horas de lectura

      "Starts off as a manifesto but becomes richer and more suggestive as it develops." The New York Sun"

      My Emily Dickinson
    • Concordance

      • 120 páginas
      • 5 horas de lectura

      A new poetry book by Susan Howe is always an event “Only artworks are capable of transmitting chthonic echo-signals,” Susan Howe has said. In Concordance , she has created a fresh body of work transmitting vital signals from a variety of archives. “Since,” a semi-autobiographical prose-poem, opens the concerned with first and last things, meditating on the particular and peculiar affinities between law and poetry, it ranges from the Permian time of Pangea through Rembrandt and Dickinson to the dire present. “Concordance,” a collage poem originally published as a Grenfell Press limited edition, springs from slivers of poetry and marginalia, cut from old concordances and facsimile editions of Milton, Swift, Herbert, Browning, Dickinson, Coleridge, and Yeats, as well as from various field guides to birds, rocks, and the collages’ “rotating prisms” form the heart of the book. The final poem, “Space Permitting,” is collaged from drafts and notes Thoreau sent to Emerson and Margaret Fuller's friends and family in Concord while on a mission to recover her remains from the shipwreck on Fire Island. The fierce ethic of salvage in these three very different pieces expresses the vitalism in words, sounds, syllables, the telepathic spirit of all things singing into air.

      Concordance