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Rachel Phillips

    Rachael Phillips inició su carrera de escritora de forma imprevista, inicialmente contribuyendo con artículos para el boletín parroquial por insistencia de su secretaria. Desde entonces, ha escrito más de 400 piezas, incluyendo artículos, columnas de periódicos, devocionales y cuentos, además de varios libros. La obra de Phillips se caracteriza por su voz distintiva y su perspicaz exploración de la experiencia humana. Los lectores conectan con su estilo accesible y la profundidad que aporta a sus narrativas.

    Children of the Mire
    Well with my Soul
    • Well with my Soul

      • 208 páginas
      • 8 horas de lectura

      People need inspiration like never before--stories of legendary, faith-filled heroes who met amazing obstacles with courage and even joy...stories of godly men and women who changed the world. Barbour's Heroes of the Faith series--in a new format at a new lower price--will inspire readers with the bravery, commitment, perseverance, and wisdom of these great Christian leaders.

      Well with my Soul
    • Children of the Mire

      Modern Poetry from Romanticism to the Avant-Garde, New and Enlarged Edition

      • 193 páginas
      • 7 horas de lectura

      Octavio Paz launches a far-ranging excursion into the "incestuous and tempestuous" relations between modern poetry and the modern epoch. From the perspective of a Spanish-American and a poet, he explores the opposite meanings that the word "modern" has held for poets and philosophers, artists, and scientists. Tracing the beginnings of the modern poetry movement to the pre-Romantics, Paz outlines its course as a contradictory dialogue between the poetry of the Romance and Germanic languages. He discusses at length the unique character of Anglo-American "modernism" within the avant-garde movement, and especially vis-a-vis French and Spanish-American poetry. Finally he offers a critique of our era's attitude toward the concept of time, affirming that we are at the "twilight of the idea of the future." He proposes that we are living at the end of the avant-garde, the end of that vision of the world and of art born with the first Romantics.

      Children of the Mire