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Michael Juul Holm

    Base Camp
    Andreas Gursky at Louisiana
    Africa - architecture, culture, identity
    The Flower as Image
    Richard Avedon Photographs, 1946-2004
    Wang Shu and Amateur Architecture Studio
    • Accompanying an exhibition of the same name at the Louisiana Museum of Modern Art, this publication examines the recent work of the Chinese architect Wang Shu, Pritzker Prize winner in 2012. At a time when China's explosive urbanization is making inroads into rural areas and leaving the marks of cheap concrete construction everywhere, Wang Shu and Amateur Architecture Studio are keen to work against this tendency by reusing materials from the buildings that Chinese authorities are systematically tearing down and rebuilding after western models. Wang Shu's architecture reveals a thoughtful attitude toward both design and implementation, as well as the ability to react flexibly to the surroundings and history of a particular site. 00Exhibition: Louisiana Museum of modern art, Humlebæk, Denmark (09.02-30.04.2017).0.

      Wang Shu and Amateur Architecture Studio
    • The Flower as Image

      • 96 páginas
      • 4 horas de lectura

      Yes, they're beautiful, but this catalogue for the show The Flower as Image asks a thornier question at its Why has the flower motif fascinated all sorts of artists through the ages, from Van Gogh to Mapplethorpe? The answer is twofold. For one, it's an easily accessible motif that simply provides a pretext for the artist to create a work. In addition, the flower brings with it a rich history as a symbol of sensuality, beauty, transience, love, sexuality, innocence, and Paradise. In fact, the flower is such a familiar symbol that an artist, in tackling the subject, is driven back to the very the question of what it means to create a work of art. Fifty artists are featured in this impressive collection, including Monet, Gauguin, Matisse, O'Keeffe, Picasso, Emil Nolde, Sigmar Polke, Andy Warhol, Pipilotti Rist, and Nobuyoshi Araki.

      The Flower as Image
    • Andreas Gursky at Louisiana

      • 140 páginas
      • 5 horas de lectura

      This volume concentrates on the classic compositions one associates with photographer Andreas Gursky: views captured at a great distance, from a slightly elevated perspective, the camera positioned as centrally as possible in front of the motif à la Bernd and Hilla Becher. It features all of the famous Gursky icons-such as the 99-cent store, the racetrack at Bahrain, the Tokyo and Chicago stock exchanges, the miners' locker room, and the racetrack pit stops-as well as his most recent photos, for instance his Ocean series (2010) and pictures of the final parade of a show by fashion designers Viktor & Rolf (2011). These photographs ideally illustrate the artist's frequently quoted remark that he wants to show us our world from the perspective of an extraterrestrial, an alien. And thus Andreas Gursky's works reveal the outrageous and the exorbitant as well as the beautiful and sublime, always starting from the relationship between the human being and space. Exhibition schedule: Louisiana Museum of Modern Art, Humlebæk, January 13-May 13, 2012

      Andreas Gursky at Louisiana
    • Sponsoreret af en australsk energidrik-virksomhed, Comeback, vender den danske bjergbestiger og BASE Jumper Jonas Overgaard sammen med sit gamle hold tilbage til Everest Base Camp. Målet er at nå Everests top. Allerede efter kort tid må Jonas og resten af holdet dog erkende, at flere fatale beslutninger fra deres første topforsøg i 2013 er vendt tilbage for at hjemsøge dem, og et sted i Base Camp er nogen ved at gøre regnskabet op. Base Camp er Michael Holms anden bog. Han udgav sin debut, spændingsromanen Jerusalemsyndromet, i 2019.

      Base Camp