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Louis MacNeice

    12 de septiembre de 1907 – 3 de septiembre de 1963

    Una voz clave entre los "poetas de los treinta", este autor cultivó un estilo a la vez relajado y profundamente sintonizado con las corrientes sociales y emocionales. Su escritura navega por paisajes políticos con una sensibilidad humana, ofreciendo una oposición reflexiva al totalitarismo sin simplicidad evidente. Frecuentemente recurría a sus raíces irlandesas, infundiendo a su obra una perspectiva única moldeada por esta herencia. Los lectores apreciaron su poesía socialmente consciente pero emocionalmente resonante, que alcanzó un considerable reconocimiento público durante su vida.

    Autumn Journal
    Zoo
    Collected Poems 1937-1971
    The Strings are False
    The Selected Letters of John Berryman
    The Dark Tower and Other Radio Scripts
    • The Dark Tower and Other Radio Scripts

      • 202 páginas
      • 8 horas de lectura

      A radio parable play, written in response to the rise of fascism in Germany and the events of World War II. It stages the debate about free will with reference to the ancient theme of the Quest, but in modern contexts exploring sexuality, gender, family and geography.

      The Dark Tower and Other Radio Scripts
    • The Selected Letters of John Berryman

      • 736 páginas
      • 26 horas de lectura

      John Berryman was an energetic correspondent. Assembled here for the first time, his letters tell of generosity, ambition, and struggle. He has encouraging words for fellow poets and younger writers and is deeply engaged in literary culture. But also visible are the struggles of a working artist grappling with alcoholism and depression.

      The Selected Letters of John Berryman
    • The Strings are False

      • 288 páginas
      • 11 horas de lectura

      The Strings are False is Louis MacNeice's unfinished autobiography. Described by Geoffrey Grigson in the Guardian as 'the best thing Louis MacNeice ever wrote in prose' The Strings are False is being reissued in MacNeice's centenary year with a new preface by Derek Mahon.

      The Strings are False
    • Collected Poems 1937-1971

      • 512 páginas
      • 18 horas de lectura

      This volume brings together all of Berryman's poetry, except for his epic The Dream Songs, ranging from his earliest unpublished poem (1934) to those written in the last months of his life (1972). A definitive edition of one of America's most distinguished poets.

      Collected Poems 1937-1971
    • Zoo

      • 256 páginas
      • 9 horas de lectura

      Zoo also benefited from illustrations by the painter Nancy Sharp, with whom MacNeice had begun an affair after moving to London in 1936.This Faber Finds edition returns to circulation a delightful rarity by one of the twentieth century's most brilliant poets.

      Zoo
    • Autumn Journal

      • 96 páginas
      • 4 horas de lectura

      Written between August and December 1938, Autumn Journal is still considered one of the most valuable and moving testaments of living through the thirties by a young writer.

      Autumn Journal
    • Collected Poems

      • 880 páginas
      • 31 horas de lectura

      In the decades since his death in 1963, Louis MacNeice's reputation as a poet has grown steadily, and there are now several generations of readers in Ireland, Britain, and beyond, for whom he is one of the essential poets of the twentieth century. This edition presents MacNeice's poetry more accurately, as well as more fully.

      Collected Poems
    • Selected Poems 1938-1968

      • 96 páginas
      • 4 horas de lectura

      Some months before his tragic death in January 1972, John Berryman completed this selection from the whole of his published poetry. It reveals clearly that Berryman was one of the most original and important poets of the twentieth century.

      Selected Poems 1938-1968
    • Selected Poems

      • 240 páginas
      • 9 horas de lectura

      Louis MacNeice's prescription is designed to look ordinary, rather than esoteric. This work states that very little poetry can claim to meet these specifications, stringent in their very wideness. It tells how MacNeice's work matches the world he famously described as 'incorrigibly plural'.

      Selected Poems