Este autor se adentra en la teoría dramática y la historia del teatro, centrándose en el teatro de Europa occidental, en particular de los siglos XVIII, XIX y XX. Su obra se caracteriza por un análisis exhaustivo, contribuyendo a la comprensión de la evolución de las formas teatrales y sus fundamentos teóricos. A través de sus publicaciones, ofrece perspectivas perspicaces sobre períodos clave y corrientes intelectuales que han dado forma al escenario. Su contribución literaria reside en revelar la compleja interrelación entre la práctica teatral y el pensamiento teórico.
Esteemed scholar and theater aficionado Marvin Carlson has seen an unsurpassed number of theatrical productions in his long and distinguished career. Ten Thousand Nights is a lively chronicle of a half-century of theatre-going, in which Carlson recalls one memorable production for each year from 1960 to 2010.
Uncovers the ways in which the spectator's memory informs theatrical reception. schovat popis
The new edition of this critical introduction to performance explores contemporary themes such as race, ethnicity, age, and disability in theatrical contexts. It also delves into the evolving landscape of participatory and immersive theatre, reflecting on how these elements shape the understanding of performance as an art form. This comprehensive guide remains essential for those seeking to grasp the complexities of performance activities since its original publication in 1996.
Beginning with Aristotle and the Greeks and ending with semiotics and post- structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new...
A lucid, well-organized survey of the almost infinite variety of production spaces of western theatre. . . . Carlson's survey must be admired for its wealth of carefully researched and elegantly articulated information concerning the relation of...
This insightful and engaging new title in the Theatre & series explores the various connections between theatre and Islam. Drawing on both historical and recent examples to trace their relationship and offer a new perspective on a topical subject, this persuasive text argues against a long-standing assumption that Islam has worked in opposition to theatrical presentation. From the 13th century puppet plays of Ibn Daniyal to Islamic themes in 21st century productions, Theatre and Islam is chronologically wide-ranging and ambitious in its scope.Ambitious yet concise, this is the perfect introduction for undergraduate and postgraduate students of religious studies, Islamic studies, Middle Eastern studies and drama.
Theatre is one of the longest-standing art forms of modern civilization. Taking a global look at how various forms of theatre - including puppetry, dance, and mime - have been interpreted and enjoyed, this Very Short Introduction explores all aspects of the theatre, including its relationship with religion, literature, and its value worldwide.
Performance Traditions of the Maghreb
Focusing on the often-overlooked contributions of Algeria, Tunisia, and Morocco, this book explores the role of modern drama in the Arab world and its significance in post-colonial expression. It highlights the need for greater recognition of these nations within the broader context of international theatre studies, which have primarily emphasized contributions from Asia, Africa, and Latin America. By addressing this gap, the book aims to shed light on the rich cultural narratives and artistic expressions emerging from these regions.
This book explores the overlooked contributions of Algeria, Tunisia, and Morocco to modern drama and post-colonial expression within the Arab world, highlighting the need for greater recognition in international studies of theatre and drama.