Rembrandt and his influence on eighteenth-century German and Austrian printmakers
- 99 páginas
- 4 horas de lectura
Este autor se especializa en escribir sobre arte, esforzándose por conectar con una audiencia general evitando la jerga histórico-artística. Este enfoque enfatiza la accesibilidad y la comprensión del lector, haciendo que los temas complejos sean entendibles. Su obra se centra en figuras e instituciones artísticas significativas, con el objetivo de desmitificar el mundo del arte para los recién llegados. El compromiso del autor con una prosa clara y atractiva hace que sus publicaciones sean un recurso valioso para cualquier persona interesada en el arte.
With their pioneering method using dots, the artists of Pointillism no longer directed their gaze only towards the imitation of reality. In their paintings between 1886 and 1930 their dots, colour and light assumed an independent existence to create masterpieces of unprecedented brightness and colour diversity. The works by the inventors of this technique, Georges Seurat and Paul Signac, marked the beginning of this exuberant outburst of colour. Works by Henri Matisse, Pablo Picasso, Carlo Carrá, Karl Schmidt-Rottluff, Piet Mondrian and Paul Klee demonstrate how artists made a study of Pointillism during the 20th century. Vincent van Gogh contributed to the way that modernist painters abandoned Pointillism. More than 100 selected works, including paintings, watercolours and drawings, illuminate the dawn of a new era which this art movement was responsible for bringing about: the beginning of modern painting.